Category Archives: Christmas

Panto Postcard 5, 2022.

60.75 hours

Coventry Basin, Coventry Canal to Brownsover Services, North Oxford Canal

Monday morning a seriously early start to the day, the alarm went off at 5:20. We were both up and out of the door in 20 minutes. I’d opted to walk across Coventry rather than get a bus or taxi. At about a mile to the Station it’s not that far, but my knees and calf muscles were playing up so Mick accompanied me with the bike in case I needed to ride instead. Coventry was dark and misty, very atmospheric.

The train got me to Banbury forty minutes before the bus to Chippy, so I sat in the station cafe with a cuppa and ate a sausage sandwich I’d brought with me watching the sun rise through the fog. The bus onwards to Chippy was quite late arriving and by the time it had made it’s way through some road works it was half an hour late. It had taken me 3hrs 15 minutes to get to work!

Abi the Director was back with us, thankfully Covid had been mild for her and her family. Paul was also back with us, there was time to sort a few problems out before the actors came on stage. It was now time to finish off the technical rehearsal. When the Pippins joined us late afternoon we then did a tech/dress. This meant that if there were any problems we’d stop to sort them. We stopped a few times and then afterwards had quite a lengthy notes session, there were still things missing costume, props wise and a few problems with scene changes.

Mick had a morning snooze on the sofa before pushing off, winding and heading back up to Hawkesbury Junction where he turned back onto the North Oxford Canal and pulled up for the day.

Tuesday. An early start for Jo and myself trying to work through the long list of things that needed finishing, making use of time on stage before the actors arrived. Having a key to the theatre was useful as I could open up.

There was one scene that needed finishing off before production photos could be taken. The finishing off consisted of a lot of cross hatching which I knew would take several hours. I chose to finish the funnels today as they would help the scenery look more complete.

During the afternoon scenes were worked on by the actors and I got chance to finish off the piece that would sit on the proscenium, this was done by torch light. Have to say I was rather pleased with it.

Then late afternoon we settled down for a dress rehearsal with Josh the photographer, Becky the composer joining us by zoom and we were also joined by several members of staff and ushers to give the actors a small audience. Today we got to see the walk down costumes for the first time, still work in progress and several props were now finished. But sadly things were still being worked on, a black curtain got stuck in one scene meaning many of the photos won’t depict the show as intended.

Mick’s day was totally opposite. It was raining, so he stayed put avoiding getting wet. Apparently Tilly ventured out for a little while.

Wednesday another early start. The side of the ship needed finishing off and as it spans right across the whole stage in three pieces I needed to do this early so as not to be in peoples way. Finishing touches happened to more props and costumes and I did my best to tick painty notes of my list.

**The wings full of scenery and props, so much so some flying was needed**

Today we were joined by Gemma the Production Manager who’d been off with covid. Having both her and Paul back in the building meant jobs were being crossed off the list. The auditorium needed clearing and Sophie the DSM was moved up into the box from where she’ll operate the shows. Christmas garlands were primed to be flown in and space was cleared in the wings so there’d be room for the actors.

The first preview hadn’t sold many tickets, so last week the decision had been made to cancel it, meaning we’d be able to have another dress rehearsal. A good thing as so many of the creatives had been ill. It was actually a dress without costume, enabling wardrobe to continue working on things.

One problem was found as Paul watched from the wings. The final scene change was tight and to get two large arches into position in time it was felt that some alterations to them were required. Two truck bases would need to be made, but for now he would be an extra pair of hands back stage.

The first preview went well and we rewarded ourselves with a drink next door at Checkers, followed by some chicken and chips from the burger van.

**If you look carefully you might just seen the spouting water**

The sun was out again on the North Oxford Canal, so Mick carried on retracing his steps of last week. In Ansty a bridge had been spouting water, social media comments had been concerned that it may be closed by C&RT, thankfully Mick got through without any problems. He thinks it’s a water pipe in the bridge that has burst. Here’s hoping it doesn’t get closed before we are back through in a couple of weeks.

As he approached the swing bridge at Rose Boats the canal got busy. The bridge opened and closed and opened again and the narrows approaching it were congested. This meant that when he reached All Oaks Wood where he’d shared the moorings with one other boat last week, he got the last space.

Thursday. Only one show today in the evening, giving time to do acting notes on stage and time for props, costumes and set pieces to be finished off that bit more. Measurements were taken, timber purchased, alterations to the arches would happen after the show this evening.

One of the traditions of Chippy Panto is that Edith, a lady who adorns the proscenium arch is taken down each year and replaced by something to do with the show. This year I’d decided that it should be a portrait of Whittington the cat. Photos had been taken of Nadia in makeup, this was blown up, a simple version traced onto a shield and then painted in. In previous years I have only once witnessed Edith being replaced, handy to know that it is simply done with a D handle and a safety chain. Time and care were taken and Edith was taken to John Terry’s office for her rest.

Garlands were fluffed up, ribbons added. Piccadilly Circus was finished off including the extra lines on the backing flat. Jobs ticked off at pace.

Jo had been meant to finish on Wednesday, but she’d decided to stay one extra night to be able to finish off one quite elaborate prop. This took her quite sometime, but was well worth the extra hours and that prop got an extra Ooooooo! in the evening from the audience.

**The final lines added to Piccadilly Circus**

After the show Paul, Gemma and myself got busy with saws, drills, screws, wheels, canvas and paint. Two truck bases were made up and had a coat of paint applied before we left the theatre, the paint would be dry by the morning ready for the arty bits to be added.

Mick avoided the rain as best he could. Tilly kept the stove company as he moved onwards through the autumn colour.

A pause to top up with diesel was needed at Armada Boats, then he found a space just before the water point at Brownsover. This meant that Oleanna wouldn’t need to move to top up the water tank and the mooring was a good place to pick up a hire car from.

Friday. Over night I’d had cramp in my right calf muscle which has been playing up for the last few weeks. As I stood up out of bed to try to alleviate the pain I heard a bit of a popping noise! Not good, my hobbling walk would be even worse today. After packing my bags for collection later in the day I hobbled slowly in to the theatre where the truck bases were already fixed to the arches. Time to get arty and paint them.

**Spring Street with the theatre at the end**

Two colour washes were applied and left to dry. They had just about got there by the time the actors arrived for their warm up on stage. New things should always be shown to actors before a show so that they don’t get thrown, the truck bases would be a step up and down that hadn’t existed before so everyone it affected got to have a go.

Then I could finish painting them. The last black line of Chippy Panto went onto a truck base at 11:46, it would be dry before the final scene of the afternoon show. Other little jobs were ticked of, more garlands and ravens added, then it was time to start collecting my possessions together.

Touch up paints were rationalised and put together. Some things are likely to need a freshen up as they are used, other paints are there just in case.

As the afternoons show started I sat down to have some food, listening to the first school show on the show relay. Not so many laughs, but total excited noise at some scenes. The model box was put together to be added to the 50th anniversary exhibition in the gallery. After the interval I sat on the back row to watch the second half, each member of the audience wearing cat or rat masks that they’d made prior to their visit.

A coat of glaze to the truck bases was just about the last thing I could do before press night. My job was done. A couple of things sadly not achievable in what time remained, but an email to Paul next week will hopefully see them get done.

Mick arrived in a hire car, we loaded all my work gear and then headed to my digs to pick up my bags there. A chat with Suzanne and a final goodbye and thank you for letting me stay again. Some cheesy chips were consumed before joining the audience at the theatre for Press Night which seemed to go down very well.

We stayed for some food post show and a drink, but by now my energy levels had run out. It was time to say my goodbyes and thank yous. Time to wish everyone a good run and a Happy Christmas in Chippy. Time to climb in the car and drive back to Rugby, have a few head nudges with Tilly, a glass of wine for the driver and go to sleep.

Dick Whittington is open and what a show it is. This year has had many problems come it’s way, covid, family bereavements, people doing their best to plug gaps in the back stage team. We got there in the end with a lot of hard work from everyone and the assistance of zoom. Now I need to rest up and get back to day to day boat life, a far slower pace will be welcome.

1 lock, 17.92 miles, 1 right, 1 hire car, 1 panto open, 616 hrs work in total, 1 designer hanging up her dungarees, 1 boaters hat being dusted off, but first the sofa calls.

Panto Postcard 4. 2022

75.5 hours

Bridge 68, North Oxford Canal to Coventry Basin, Coventry Canal

Another long week in Panto land and some more cruising for Mick and Tilly.

Monday I arrived in the theatre to find sliders being cut down to size and lots of magnetic catches and door handles having been attached, all good news. But then I soon heard that Abi the Director had tested positive for covid over the weekend whilst at home in London. The cast were given various options, the one they chose was that John the Artistic Director of Chippy Theatre and the writer of panto would stand in for Abi until she returned and Abi would join when she could via zoom. Our Production Manager Gemma was also unwell so she stayed at home an extra day.

I got on with painting what ever I could without being in the actors way. A list of scenes required for the following days rehearsals is sent out so it takes a little bit of working out what I might be able to paint and when. The wings of the stage were sorted by Stage Management to hopefully help make the technical rehearsals easier.

In the evening we were joined by a couple of chaps to help with setting up the sound equipment and drilling holes in trees for fairy lights. By the end of the evening two out of the four trees had lights and a lot of the sound system was up and running.

In Rugby, Mick and Tilly stayed put on the boat. Mick did venture out for his covid booster jab, four weeks after we’d tested positive.

**Painting ovens and doors in the wings**

Tuesday. More setting up of sound with Matt the Sound Designer about for one day. The aim was for levels to be set for the songs and cues to be programmed into the desk so that only minor adjustments would hopefully be needed. Songs were sung by the company accompanied by the two man band.

**Dicks solo being sung in front of the Pippins and Becky the composer**

Gemma joined us for a few hours but she was obviously still not well. She did her best to keep her distance, helped get sliders rehung and sorted a few bits out, but mid afternoon she headed to her digs to hopefully get some sleep.

Mark the Lighting Designer had a lighting session in the evening, meaning I was either painting by torch light or had a lot of light. This gave me the chance to get some black lining done to the sliders for Piccadilly Circus. There’s still plenty more to do on them, but at least I made a very good start.

In Rugby, Mick moved Oleanna up nearer to Tescos, did a good shop. Topped up with water and headed onwards through Newbold Tunnel. Over the weekend we’d discussed where might be easiest for me to get back to the boat next weekend, Rugby was a little bit problematical and quite a bit of a walk to reach the boat. We’d decided that Coventry would be better.

Wednesday. Gemma tested positive for covid this morning. Hopefully she hadn’t passed it on to anyone whilst she’d been in the building, but more importantly she could head home to recover.

Conversations were had about outstanding jobs. I can lend my hand to quite a few things, but it would all take time. Better to have someone who knew what was needed and free me up to carry on painting and helping where needed.

In the afternoon we started to Tech. This is where all the elements come together on stage. Sound, lighting, costumes, props, actors, musicians and set. Due to many reasons there were gaps in costumes, props and set pieces. Not ideal, but unavoidable. Everyone did as well as they could, one thing became obvious was that we still needed someone to help program the sound.

Mick carried onwards. In winter months moorings that are normally chocka block can be empty, this was the case at All Oaks Wood. I think we’ve managed to pause there before for lunch once, but today he had a choice of where to pull in. Tilly made the most of a good outside!

Thursday. A long day of technical rehearsals. Days like today I spend mostly sitting in the dark, taking notes, attending to things as they arise. I decided to try to do small jobs whilst sat in the dark like signs, sorting out the new song sheet.

**It was not me who emptied the chilled medication fridge leaving only vanilla**!

Then when the actors have a break there is some time to get a bit of painting done. Wet things need to be dry before costumes are back on stage, so timing jobs can be a touch tricksy. Following rehearsals there are a couple of hours to get more jobs done. Jo the prop maker was about, so conversations turned to treasure chests and snakes.

Mick carried on moving. The journey from Rugby to Coventry can be done in under eight hours, but with a week to do it in he was pacing himself. Today he moved a touch further than he’d originally planned, through the new swing bridge at Rose Narrowboats, stopping a short distance before Hawksbury Junction, meaning there was space before other boats for Tilly to explore.

**The Greyhound busy on a Friday morning**

Friday. Mick decided to stay put, having a walk up to the bins at the junction a highlight of the day. The Greyhound was busy even quite early in the morning.

**The tight turn at the junction. To head north use the left canal, south the right turning under the bridge.**

Another early start to do some jobs before rehearsals started again. My lunch tends to be eaten in the next technical session, making use of as much stage time for jobs as possible. Abi is now very much in the room, joining by zoom, sending messages by Whatsap.

**Laptop in the centre of the auditorium so Abi can join us**

Today after rehearsals, Dan who’d helped set up the sound equipment and has been helping with programming stayed around to help with various jobs on stage. Some black tabs were not quite in the right place so needed adjusting. A tree needed extending, it’s track moving higher. But the most important job was to get a cloth rigged so that it could be lowered in to view and pulled out of view, it’s been out of view for three weeks.

**A Curlywurly in the dark whilst taking notes**

Chippy Theatre has a bit of a fly tower, but it is nowhere near tall enough to be able to fly cloths fully in and out. So the cloth has to work like a very big Roman Blind, pulling itself up on itself. We got all the cords in place, but lacked somewhere to tie it off to. So that we don’t now see too much of the cloth it’s been tied off to a cleat for other scenery, a better solution needs to be found.

**Nice to see the cloth again after three weeks.**

Saturday. A morning of technical rehearsals. There is still more to do on Monday sadly.

**Last year I did one of these every day during panto**

Also sadly today we were missing Becky, the composer, another case of covid. I am so hoping that I still have some natural immunity left as I spent much of yesterday sat next to Becky. This morning I did a test after spending time with Gemma, I’ll be doing a test before returning to work on Monday.

All the trees were up and fairy lights working giving Mark the opportunity to light the next scene. We mostly worked our way through the scenes that have the Pippins in so as to make the most of their time in the theatre. Having three teams of Pippins means doing everything three times, one team are in costume the others not. We now just have to finish teching the rest of the show on Monday.

Mick moved on again in the morning, turning left at Hawksbury Junction and heading under the bridge decorated with swans. We last came this way about five years ago and today Mick saw a big difference. New houses and just generally better kept, possibly assisted by the City of Culture. Tilly however wasn’t that impressed!

After rehearsals I became unpopular asking for the trees that had only just gone up to be taken down. My aim for the day was to get the last two remaining trees painted, having them flat this would take about half the time. It didn’t take too much to get them down thankfully.

**Trees finished. Well I might add some glitter if I get chance.**

The last couple of hours I was on my own and was glad to not have to climb a ladder. By 18:10 the trees were painted, brushes washed up. By 18:25 the theatre alarm was set and I was heading for the bus stop and Banbury.

A train then another bus to save me walking across Coventry where Mick met me and we walked up the hill and over the ring road to Oleanna in the basin. Time for head nudges with Tilly, something to eat and slump in front of the tv.

Sunday. A Sainsburys delivery was early, I left Mick to deal with it as it was early early, but it did mean we could have a nice breakfast.

This was followed by the Geraghty zoom where we were all relieved to be joined by Anne who has just had a spell in hospital.

A slow day, much needed, but sadly I still had some work to do. A new song sheet needed designing and the best time to do it was today. Thankfully it didn’t take too long. The day will end with a roast chicken and packing my bags to head back to Chippy tomorrow. Hopefully no more cases of covid this week, fingers crossed.

18.16 miles, 1 lock, 1 left, 1st Christmas tree, 3 positives, 4 trees, 8 pillars, 6 tech sessions, 3 teams, 0 red fabric, 7 safety pins, 2 buses, 1 train, 8 diddy maracas, 1 bored cat.

https://goo.gl/maps/Aa82XVFLWAyiKUXa6

Fluid Category 5. 9th October

Abingdon Bridge to Jericho, Oxford Canal

A slow start this morning so that we could join the Geraghty zoom. Subjects today acorns, anti-virals and loft insulation.

Another sunny day meant the river was busy. A canoe stopped a wide beam from pulling out across the way, they were wanting to wind so waited patiently then waved us on before they started their manoeuvre.

Abingdon Lock was set for us and we rose up with plenty of people watching, then pulled along onto the water point. It seems that some of the water points are being changed, the other day at Cleeve Lock I’d noticed the new short hose already attached to the tap, here the water point is long and tall with a yellow surround to it.

The pressure wasn’t too great and the hose just managed to reach our water filler on the off side of the bow. Water seems to be pumped up high to a small tank and then it flows through the hose to your boat. This is all to do with not wanting to have river water flowing back into the water mains, which is understandable with the amount of sewage that is allowed into the rivers. But it all takes time. We were patient and made use of the big skips to dispose of our rubbish and recycling. Talking of which, if you are a boater, have you filled in the C&RT survey regarding services and distances between them? It’s anonymous so no reason not to have your say in what C&RT will see as the national standard for services. Survey Link

The next river reach goes on and on. Not as bad as when Mick did it a few years ago with an overheating engine with a large amount of fresh coming the other way. The sunk boat is still mid channel, then numerous rowing boats and plenty of cruisers out for a Sunday pootle.

There was a blue board at Sandford Lock, but someone had set it to empty. I walked up with the boat hook and opened the gate. The Lock Keeper arrived, he’d been just about to go for lunch as we arrived, could he help with ropes? We got ourselves sorted and then waited for a cruiser to join us. They had no idea! A rope from the bow was put round a bollard as their boat continued into the lock. The rope was moved along, then again and again. The Lock Keeper went to help, pulling them back in the lock and making sure they had two ropes round the bollards. This lock fills from the sides as well as from the end, so you need to keep hold of your rope.

We led the way, coming across numerous rowers all at bends which made positioning ourselves very awkward! I don’t think we’ve ever come into Oxford on a sunny Sunday in term time before. I think we’ll do our best to avoid it in future!

Iffley Lock, the Lavender Lock was on Self Service, it always feels like we’ve arrived in Oxford when we go through here . I headed up to see what needed doing. A small day boat was just entering the lock above to be followed by an eight, the lock just wide enough for them. A chap asked if I could open the gates for them so they could get back on board, of course I could. But this all took time as they hadn’t got a rope round a bollard, the boat tipping from side to side as people got on and off.

Then a Lock Keeper appeared and requested that they put a rope around a bollard and then actually hold on to it! A request came from the boat, could he help with the rope. ‘No, I’ve got covid’ he then retreated to the other side of his garden.

Our turn next with the cruiser. We let them leave first as they’d be quicker than us, all we both had to do was negotiate our way around the waiting rowing boats and those also heading towards the lock.

Someone with a different style has been decorating the walls under bridges. An Arthurian subject, with knights on horse back jousting and a unicorn.

Towards Folly Bridge there was a log jam. The cruiser we’d been sharing with had pulled over to the side, two eights were sat waiting for a big trip boat to wind and head down stream. The eights then had to wind themselves, another trip boat was about to back away from it’s moorings, but we got in first only to meet four canoes coming under the arch of the bridge. Hopefully now the river would calm down.

No! The cruiser suddenly appeared having come round the island of the bridge the other way. They headed off and we soon passed them trying to moor. Hopefully NOW the river would be quieter.

Osney Lock had a boat coming in from above. A lady closed the gates behind the boat the chap held onto his centre line. I suggested that I could work the bottom gates and sluice allowing the lady to get on board. She was happy with this and just carried on walking away from the lock, I suspect a helpful passerby rather than crew.

Here we were on our own, no Lock Keeper. A fella walked past and informed us that the Lockie here also had covid. There was space on East Street, maybe because the old Power Station is being demolished opposite.

On upstream under the bridge to Sheepwash Channel where we turned right. The old railway swing bridge that last year was shrouded in covers has been restored, sleepers and track, the workings all shiny black and yellow. Not that there is anywhere for it to connect to as houses stand where the line once used to be.

Isis Lock. Time to dig out the windlass again. This lock means Panto, Autumn leaves, Inspector Morse watching, Christmas shopping, fish and waiting for the River Cherwell to come out of flood. It’s nice to be back.

We pulled into the first space. Tilly was given 2.5 hours, Yeh yeh, I know where I am! It’s that isthmus outside! You always tie this one up! Still no new complex opposite. Time to put a Sunday roast on and have a catch up with my brother.

5 locks, 1 narrow one, 9.58 miles, 1 right, 1 left, 2 many boats, 1 tall waterpoint, 2 poorly Lockies, 2 boats with no idea, 1 near miss, 2.5 hours, 1 roast chicken, 1 sore throat!

https://goo.gl/maps/3fLKfvt1Zex53v7F6

An Early Christmas? 4th September

Oundle Cruising Club

The club didn’t stay open that late last night, the only customers were those stranded by the lock closures, so one family from NB Shadow, us and the volunteers who were running it. At some point during the day the volunteers left on their boat with all their woofers, they must moor elsewhere. This meant Tilly had the place almost to herself, taking up watching duty under the shed behind the clubhouse.

The final push for me with finishing touches to the panto model today. The new improved Panto Piccadilly Circus was painted and broken down to make it look a little bit old and worn. Then an hour taking photos of every scene to do a storyboard. A few little jobs to do tomorrow, then fingers crossed that it all gets the thumbs up from the Director and I can have a few weeks that aren’t dominated by panto before I start painting it all full size.

**How many lengths of the boat have we got?**

We had lunch sat out on the nearest bench and then Mick spent sometime with Christmas lights. Checking to see if they worked and how many we have. Ken and Sue have kindly lent us their lights that they used on NB Cleddau for the Bedford River Festival. A couple of lengths, one of which is 100 meters long, but sadly Mick couldn’t get them to work. It looks like we’ll have to buy some more.

Why check the fairy lights in September? Why so many? Well you’ll have to wait a little bit longer before I tell you.

This evening we treated ourselves to an Indian Takeaway. It had been planned for last night, but we’d sat out boozing with Ken and Sue until it was too late for Mick to collect one by bike, lack of lights. We got our food from Curry Passion which is close to Waitrose and a ten minute bike ride away. The Lamb Rogan Josh came out on top, followed by the Aloo Paneer, the rear brought up by Chicken Tikka Masala which was mediocre. By no means the worst Indian we’ve had, but not in the top ranking. On the plus side we do have enough rice left over for stir fried rice in the next couple of days.

0 locks, 0 miles, 1 model finished, 1 box to tart up, 1 storyboard to collate, 800 bulbs, 400ish not working, 1 very interesting shed, 1 woofer left, 1 bike delivery, 1 button to press.

Have The Rules Changed? 27th August

Fotheringhay Castle to Oundle Marina

Another earlyish morning with the hope of avoiding people out to enjoy the Bank Holiday weekend, not that we have a problem with them, it’s just easier to avoid them if they’re not already in the water and still at home.

**The wide beam not the first to leave their mark on the bridge**

We got to see how much paint the wide beam had left on the bridge yesterday, just another gouge in the 1722 structure. Last chance for a photo of the church before we turned our back on Fotheringhay.

We’d noted a narrowboat moored up facing the opposite direction to us, could this mean the next lock would be set in our favour? Yes! I was grateful as it was our next manual wheel operated lock and all I’d have to do was lower the guillotine gate once. Having enough hands to lock the wheel once finished is something I’ll need to master as there’s a lock some way ahead that is very hard to do by one person.

Tansor and Cotterstock both look like places to have a good wander around, even if they are only small. On the list for next time, suspect we’ll need to catch a bus or have a lengthy walk from Oundle.

Now the river works it’s way southwards around the east side of Oundle, under several bridges to Ashton Lock. Ahead we could see the buoys that mark shallow water below the lock, a right hand bend immediately below it. The bow of a boat appeared, Mick slammed on the breaks and then reversed back to give them room to manoeuvre. Would we be passing them on the wrong side, did it really matter just so long as neither boat got stuck in the mud.

It took a while and eventually the bow came round followed by the stern. The main thing for us was that the lock, another manual one was sat waiting for us, only one movement required again! As we left the lock another boat appeared heading down stream, they were also very pleased that the lock was in their favour.

**I think someone should look where they are going!**

Two canoes, neither knowing which side to pass us on were avoided. Then a rib with two chaps fishing from it coming under a bridge. Had they clocked us? They were moving, both with lines in the river. One chap seemed to be steering, occasionally as they moved along at speed. Another boat passed on the wrong side. Have the rules changed? Has nobody informed us that the rules have changed?

Then a cruiser came round the next bend. They were facing towards us, straight at us! Their course was corrected slightly, then their bow faced us again, which way would they go, we only had a small distance further to starboard that we could move. In the end, in the nick of time they moved over and we finally passed someone on the right.

**Essential lock equipment for the Nene**

Lower Barnwell Lock was empty, a lady just walking over the bridge to the control panel. The guillotine gate started to lower. I bipped the horn. I beeped the horn. We were just about there! I BEEEEPED the horn! At last she spotted us and raised the gate again, very apologetic she was.

The narrow entrance to the marina, only just noticeable. Plenty of room on the Cruising Club moorings, but today we breathed in and turned into the marina, wide open water. We’d been told to head to the services, these weren’t at first obvious, but there was a bit of a give away, NB Cleddau with Ken and Sue chatting to the lady. Cleddau had almost got to Irthlingborough Lock when they heard it was broken about ten days ago. They’d returned down stream to the marina to await the lock reopening.

We pulled in on the same pontoon, settled in, a very friendly welcome from all. A quick health and safety check revealed a fence with Tilly sized gaps under it right alongside an intermittently busy road. Sadly this means that for the next couple of days I’ll have to cope with a bored cat.

Mick had a lift from Ken and Sue into town to do a small food shop whilst I got my model box out. It was time to work my way through the show and make notes. As expected I ended up with two sides of A4! Several scenes just need a touch of a tweak, others need a bit more, but Christmas at the Tower of London looks great, even though I say so myself. The biggest job still to do is the front cloth which due to it’s nature will happen over several days.

At 6pm my model was packed away, time for Pimms on the terrace with Ken and Sue. Very civilised. The setting sun put a limit on the time we were prepared to sit out, Ken’s timer for his tray bake encouraged people into their boats to eat. Mick had found some sad gits sausages at the Co-op so we had sausage and mash.

4 locks, 7.39 miles, 4 boats heading down stream, 1 trolling rib, 8 Kingfishers, 1 marina mooring, 7 trips, 1 load of washing, 1 bored cat, 2 x A4, 1 butterfly net, 1 pair snow shoes, 4 large Pimms, 6 bog standard sausages, 1 supermarket order started.

Getting Festive. 25th August

Wansford Station EA mooring

A wet itchy morning. Yesterday we knew that today would be wet. Yesterday we’d decided to set off early today to catch up to where we should be. Yesterday we realised we needed to fill with water. Yesterday we didn’t set an alarm clock. This morning we slept in, our brains forgetting the early start. Our brains registering the rain falling on the roof. Our brains doing nothing about anything.

As we had our morning cuppa with breakfast we decided that maybe we should stay put instead of getting soaked for four hours boating. Topping up on water could wait, Tilly was likely to be the only one to complain.

I worked all day. The trains rumbled across the bridge six times, the same class 14 engine pulling the carriages as yesterday. They also did a bit of shunting around of guards vans and another engine headed off on it’s own.

The narrowboat that pulled in behind us yesterday pulled away once the rain had stopped at around 2pm. Later on in the day it was replaced by a cruiser with three chaps on board who’d been to Peterborough for the beer festival. They hadn’t stayed as their boat is very shallow and was in danger of being over the top of submerged edging, which if the level dropped wouldn’t be good!

Mick spent much of the day plugged in to his head phones listening to the days cricket. The kitchen got a good clean and sort out whilst I painted Christmas at the Tower of London.

This evening I’ve had a good catch up chat with David, he’s in a better place both mentally and physically than he’s been of late. More doors have opened for him so he can now access more support.

0 locks, 0 miles, 1 very wet morning, 0 shore leave for Tilly or me, 1 empty box of white card model bits, 1 full box of painted model bits, 2 much brown though! 1 tidy clean kitchen, 1 empty yellow water tank, 1 alarm clock set for the morning.

Floating On By. 30th July

Brampton GOBA mooring

Last night the moorings had filled right up. A group of cruisers breasted up and a narrowboat came along early evening wanting to try to get their stern into the git gap in front of us and lay their bow across ours. We offered them to breast up, but they had a dog and with our cratch cover and filled buckets on the bow it would have been difficult for them to get off. Fortunately for everyone a boat at the far end of the moorings decided to set off before any spikes or ropes had been sorted, so they swapped and a bankside mooring was taken.

This morning we allowed ourselves a cuppa in bed, it turned out that we would be the only boat not to move today. Bacon butties were followed by the Geraghty zoom, house buying before going on the market and Bedford were subjects covered today.

Mick headed off on the bike in the search of a Saturday morning newspaper, our first in quite a while, Tilly got on with enjoying a sausage day and I continued to make barrels and crates for panto. Every year I’ve made at least two barrels for my panto model, maybe I’ll keep these this time, just in case I need some again. They are quite time consuming.

By the time Mick returned we were the only boat left on the moorings. I’d checked Tilly was still about every time someone pulled away, just incase as curiosity of the interiors of other peoples boats seems to be growing despite the rules! I’m just looking to see what boat improvements we might be able to make, so far nothing, but you never know!

Around midday the moorings started to fill up again. It only took an hour for there to be no space left just as Ken and Sue came past in NB Cleddau. A bit of a blustery day and the current made it hard to hover for a quick chat before they floated on by. Five minutes after they left a boat pulled out, only to be replaced by another within two minutes. We may play leapfrog with Cleddau tomorrow, depends on who sets off first.

The remainder of the day consisted of model making for me. Tower of London, St Katherines Dock. By the end of the day my box of model bits was getting quite full and now I need to put everything into the model box to see what needs altering and tie things together.

Mick got the endoscope out. A giant crochet bag I made on the Lancaster canal years ago had gone for a swim yesterday. It wasn’t a very good bag, a try out for others I made, but it had become a very handy bit of padding. You could kneel on it when on a muddy nettle bank. This summer it’s been used under the plank quite often to save what’s left of our paintwork. Yesterday the plank had moved quite a bit and the bag had ended up falling into the river.

It’s quite heavy so Mick hoped it hadn’t gone far, he’d tried fishing it out with the boat hook and now tried to use the endoscope to find it rather than aimlessly fishing in the murky water. But his phone didn’t want to talk to the cameras wi-fi, and then the power pack ended up getting wet! So we apologise now if someone picks the bag up on their prop.

I’ll have to make another, just a shame all my scraps of fabric are back at the house. Maybe it’s time to donate some really worn out t-shirts to be reused.

0 locks, 0 miles, 1 sausage day, 1 Saturday newspaper, 1 box full of white bits, 1 exhausted cat.

A Tale Of Two Colleges. 23rd June

Fort St George, Cambridge

When in a University city such as Oxford or Cambridge we feel we should visit a college or two. With a lot to choose from we chose two which couldn’t be more different from each other.

First was the tourist attraction of Kings College. I wanted to visit the college as it is where a chorister kicks off Christmas Eve singing Once in Royal Davey Daddies City. To be honest I hadn’t come across this until Mick came into my life, now every year either the TV or radio are on for us to listen. The chapel is also quite a visual treat.

Entrance is best booked in advance, if you can book a week in advance you’ll get £1 off your ticket. The entrance is down Senate House Passage which leads to the north door of the chapel.

As soon as you walk in the ceiling and stained glass grab your eyes. I love fan vaulting so I was always going to enjoy our visit. A sit down was needed to appreciate the pleasing structure way over head. One area caught the eye, a very smiley sun just off symmetry, a helium balloon that someone had lost grip of. I wonder how long it will take for it to loose it’s attraction to the ceiling?

King Henry VI laid the foundation stone in 1444, King’s one of his two ‘royal and religious’ foundations, the other being Eton. Both the school and college were to admit a maximum of 70 scholars drawn from poor backgrounds, boys from Eton were guaranteed entry to Kings. From his original plans only the chapel was ever built and that took almost a century. Subsequent Kings took on the college, it’s building paused during the Wars of the Roses.

The anti-chapel is overwhelmingly carved. Half crowns stand out from the walls, back lit. Tudor heraldic emblems fill every space left around the stained glass windows.

The dark oak screen which houses the organ was a gift from Henry VIII and bears his and Anne Boleyn’s initials. It’s not as elaborate as many choir screens, but not many date back to this time. He also commissioned the stained glass windows for the north, south and east sides of the chapel, split in two with Old Testament at the top and new Testament below. Sitting looking up at them there is a lot of bright blue sky.

The choir stalls line the sides, seats going on forever, no wonder the choir is famed.

Below the East window stands The Adoration of the Magi, painted by Rubens in 1634. During my A level Art I studied Rubens, I think the best essay I ever wrote at school was about his portrayal of naturally curved women.

You then get the chance to walk around some of the outside areas. Today the Front Court was off bounds as the May Ball was being cleared away. It appears that this years thing is bumper cars, we came across them elsewhere in Cambridge today too. The gatehouse and screen, separate the college from the city’s streets and it’s people, the architecture ornate and delicate dates from the 1820s.

Behind the court lies the Back Lawn, the majority grass. Don’t stand on it whatever you do! Then directly in front of Kings Chapel the grass has been sewn with wild flowers, a sea of waist high daisies with paths leading down to the River Cam. Very pretty and tasty for the bees.

As we crossed over the Bridge we looked back, the whole place shouted MONEY at us. We’d done THE tourist college with it’s spectacular ceiling and old masters, and Keep of the grass signs, now it was time for something very different.

On the north west side of the city, up Huntington Road lies Murray Edwards College. Originally founded as New Hall in 1954, the first year had just 16 women students in buildings on Silver Street, it set out to try and address the low number of women undergraduates at Cambridge University . It was able to relocate to Huntington Road when the Darwin family donated their home The Orchard. The college buildings were opened in 1964 with the capacity for 300 students. In 2005 the college was renamed after it’s first President Dame Rosemary Murray and Ros and Steve Edwards who made a large donation to the college.

Architects Chamberlain, Powell and Bon had designed the Barbican and Golden Lane Estates in London, they were chosen along with the builders WC French who had built the original motorway bridges on the M1. See, I told you it was completely different.

The dining hall known as The Dome is made up of precast concrete, 4 inches thick, flanged so that they overlap each other with glass panels in between. The dome soars high above the first floor, your eye naturally pulled to it’s centre. Four staircases spiral down to the ground and lower floors, one in each corner.

Large wooden glazed doors invite you into rooms where the texture of the concrete has either been left ruff almost like the sea bed, or polished smooth. Cream brickwork on curved walls surrounds the Fountain Court with its blue lined troughs of water and of course it’s fountains.

Long glazed corridors with large windows, many open today for fresh air create open walkways from parts of the college to the next. For me this was reminiscent of parts of York University and parts of the house my Dad built as our family home.

The Porter was very friendly, gave us both a sticker for the Women’s Art Collection along with a big white folder with details of where we could go and the artworks held within the college and it’s 14 acres of gardens, and yes we’d be allowed to walk on the grass!

The collection is formed of modern and contemporary art by women, the largest of it’s kind in Europe. It was founded in 1986 and has expanded since then with donations and loans from artists. The college houses more than 500 works, including pieces by Barbara Hepworth, Tracy Emin, Rebecca Fortnum to name just a few. Every corner you turn there is another work, at the bases of staircases sculptures sit.

As we left we turned round, numerous potted plants sitting on the front steps a black cat lurking in there somewhere, we decided that we preferred it here to Kings. More inclusive, relaxed, warm, arty, airy, grass between your toes friendly. Well worth a visit and it’s free! Thank you Bridget for pointing us in the colleges direction.

We now walked back into the city, one last thing on the list of essential things to do in Cambridge to tick off the list, Jack’s Gelato!

The queue was far shorter late afternoon and it was just the right length to have made the very hard decision of which flavour to have. To save any bickering between us we both chose Dark Chocolate and Sea Salt. Mick had a standard waffle cone, I paid the extra for a gluten free one, a rare thing! We sat down on the wall outside King’s College our backs turned towards the money and enjoyed our well earned chilled medication.

0 locks, 1 walked over twice, 0 miles, 7 miles walked, 2 colleges, 513 years apart, 1 spectacular ceiling, 1 mesmerising ceiling, 1 organ screen, 1 walkway of roses, 1 Ruben, 2 Tracy Emin and a Barbara Hepworth, £11, £0, 2 chilled medications well deserved.

#unit 21 and stormy weather, 13th to 19th February

An early Sunday lunch was enjoyed before we got in the car to drive over to Huddersfield. This visit I’d be staying four nights so being nearer to the theatre would be good so I booked into the Premier Inn at Apsley Basin. This not only meant I’d be able to pop into Sainsburys on my way to and from work but I’d also get to see boats every day.

My chauffer stayed or a cuppa before heading back to Scarborough.

Monday morning and I found a couple of cards in one of my bags. Somehow the postman had delivered a small box of chocolates and cards to me which I opened whilst waiting for my lateral flow test to to do its thing.

Then it was time to head on up to the theatre to wait for the set to arrive on the back of Grahams trailer. The last time Graham and I worked together was also on a Dark Horse Theatre production, seven years ago, Snakebite. There was a time where I saw more of Graham than I did of Mick! Once the set was in the building Graham and I started to bolt the sections together whilst Penny (the Stage Manager/Lighting Designer) started to rig the lights and soft black masking.

By lunchtime the floor was laid, the flats were in position. Graham had rigged the lift door mechanism and then explained it to me. The warmth of the building had helped by tightening up the fabric the set had been covered in. Ripstock doesn’t like the cold and even just a few degrees can mean a baggy set.

After lunch I proceeded to stick green neon gaffa tape onto the set whilst the sound was sorted for the show. Penny followed on with focusing the lights. Down in the dressing rooms I sewed names into costumes and adulting badges were added to the front of the overalls.

Tuesday, Penny plotted the lights, sound and computer animation whilst I hunted round every clothes shop in Huddersfield for a vest top which I hoped would cover up a pink sports bra. I returned with a few choices and later in the day one of them did the job.

After lunch we were joined by the actors to do a technical rehearsal. Making sure the actors knew where to stand in light, where to stand out of view. Making sure the sound levels were suitable and that the lighting states did the job whilst not overpowering the animation on the set.

This normally would be done in full costume, but we saved that for a tech run later in the afternoon. After work I treated myself to a hot meal next door at Table Table, there are only so many wraps you can eat in a week!

Wednesday started with a full dress rehearsal. Make up and hair were added into the equation. With three of the Dark Horse staff members on hand to do space buns I managed to avoid having to lend a hand.

An audience and Penny with all her screens

Two shows today. The first with quite a large audience. A local learning disabled school along with representatives from theatres the show may tour to next year. Then in the evening we had an audience of friends and family.

The shows were development showings, half the show with full production values. Although if Dark Horse manage to get more funding for the show next year then we will add neon lights into the set rather than having to rely on neon tape.

Both shows went down well and I got chance to have a catch up with the Assistant Producer from the SJT in Scarborough.

Normally on Panto Postcards I do a tally of how many hours I’ve worked. Well with most of the work having been done in advance the days were short. Monday and Tuesday starting at 9am and finishing at 6pm, I was glad I’d taken some crochet along with me as there was quite a gap between shows.

Then once the final audience member had left the auditorium it was time to take everything down. This took all of 35 minutes. The original plan had been to ferry all the set over to the rehearsal space, but because of Storm Dudley it was decided to take it to the office instead. Better that people didn’t fly away.

A couple of drinks in the pub next door to wind down was followed by some chips which I managed to eat all of on the way back to my hotel. The second photo is of an empty box overlooking the canal basin whilst Dudley did it’s worst, nothing to do with the wine I’d drunk!

Thursday morning Mick arrived to pick me up. It was time to celebrate Christmas with the London Leckenbys. The four hour drive wasn’t too bad as the worst effects of the storm had passed. A pizza followed by some chilled medication was enjoyed at Wells Street Pizza in Hackney.

Friday we managed to avoid the worst effects of the fresh air Storm Eustice was blowing around. Jac and Josh headed off to do a bit of shopping and get a hair cut at Bermondsey Market, but neither Mick or I fancied sitting on a double decker bus at the height of the storm. Instead we got to watch the womens curling instead.

Christmas presents were unwrapped in the evening. Mick got a hedge trimmer and a webcam. I got a big saute pan, a red fleece top, a new duvet cover and the latest Andy Griffee hard backs. A very good haul, worth the trip to London.

Saturday we said our farewells, hopefully we’ll get to see Andrew Jac and Josh next just before Easter. We’d managed to miss the really bad weather again for our trip back to Scarborough, although we did have torrential rain, then sunshine. When we turned onto the M18 we then got sleet which by the time we turned off the M62 had turned into snow, much of it looking like it would be hanging around.

A road closure meant we had to divert to Bridlington and as soon as we ducked under the railway line all of the snow vanished, Scarborough was having quite a pleasant day!

Tilly’s magic food bowl was totally empty and the biscuit bowl had been licked clean too.

Good job they came back when they did as Tom hadn’t left ANY reserves!

0 locks, 0 miles, 2 hire cars, 24 hours work, 7 actors, 21 strips of neon gaffa, 100 dabs of glue, 1 baggy set, 1 tight as a drum set, 2 showings, 1 happy director, 4 nights, 4 pizzas, 1 family Christmas, 1 whole salmon, 2 storms, 1 snowy landscape, 1 cat happy to have us home.

PS. One Designer looking for work.

Going For Gold! 27th to 29th December

A bit of a tradition for us (when in Scarborough with a car) is to visit Thornton-le-Dale to see the Christmas lights. In days gone by we used to drive back from my Dad’s in York via one of the scenic routes so that we could see them.

They are not a huge spectacle like Regents Street and pretty much remain the same year in year out but they are still very pretty to us. Multi-coloured festoons swag up the street and along Thornton Beck, which runs along side Maltongate. I especially like the group of swans, one all puffed up and head down.

Whilst in the village we also popped along to have a look at the old cars at Mathewsons Auctions, made famous in Bangers and Cash. The showroom is now full of merchandise and the cars out of the forecourt weren’t anything special. We did however bump into Derek Mathewson, as well as running the vintage garage and museum Derek owns The Moorcock Inn, Langdale End where Mick used to drink. The next vintage car auction is in February and there are several very pretty cars going under the hammer LINK

We then headed back to the coast to see more lights. Scarborough Harbour for the last year or so has put on a display of it’s own. The boats bobbing on the low turning tide are festooned with lights up their masts and rigging.

There were plenty of people out taking photos despite the chilly breeze. Centre stage is the lighthouse, one of my favourite buildings. Big pea bulbs decorate the building which glows in the dark. Wonderful.

Christmas Cheese selection, Smoked Brie, Harrogate Blue, Kit Calvert Wensleydale and Keens Traditional Cheddar

Last week we’d been considering moving Oleanna to Huddersfield, making use of the break in the winter maintenance over Christmas and the New Year, so that I could have her to stay on whilst working for Dark Horse. We are now quite glad that we didn’t set out on the trip as with all the recent rainfall the flood locks on the Aire and Calder have been shut, Doncaster lock (not that we’d have been going that way) is closed due to high water and the Don Doors are closed protecting the New Junction Canal from rising waters on the River Don. Oleanna can stay put and I’ll stay in a hotel instead.

Janet, what a fab costume. Photo Tony Bartholomew

The last couple of evenings we’ve been to the theatre whilst sitting on our sofa. We had booked tickets to see Jack and the Beanstalk at the SJT, but sadly the night we were going coincided with some of the company having positive covid tests. Instead we decided to watch the show from home. Adapted by Nick Lane we knew we’d be in for a silly time and it was designed by Helen Coyston (costume designer for panto at Chippy). We really enjoyed it especially Janet and The Paella of love, from heaven above.

Last night we sat down to watch Hull Truck’s production of The Railway Children. This was originally filmed for a live stream so it included 15 minutes of nothing before it actually started, a full interval break and no credits which we thought was a big shame. The show has been getting great reviews, although we really enjoyed it I think quite a lot was lost in the filming. Well live theatre is magical and not being in the room with an audience let it down somewhat. The camera angles at times, although capturing the full set meant that the actors were smaller than they would have been even if we’d sat on the back row of the theatre. Have to say I felt a little bit short changed even if Sian Thomas’s costumes were lovely.

Back to the title of the blog. Going for Gold!

This isn’t that I’ve beaten Tim Larmour to the top of a mountain (Fulford School joke) therefore depriving him of Gold! No we actually got round to making a decision, we’ve bought Oleanna a Gold license for the coming year. Mick had looked on line, found where to buy a Gold License on the C&RT site but not where you could apply for a refund on a standard license.

They’re not as fancy as they used to be. Just a black G not a gold one!

Our license ran till the end of May, but a Gold License runs from January to the end of December, so to make the most of it we needed to trade in our old license this month to get a maximum refund. Mick rang C&RT and was assisted by a very helpful lady. Within minutes we had an email confirming our purchase, then a little while later another saying that they had refunded us £300 plus from our old license. Really easy.

For those readers who don’t know what the difference is. The Environment Agency is the navigation authority for the River Thames, Anglian Waterways plus a few more. With a standard C&RT license you need to pay for a visitors license to cruise EA waters. We’ve done this several times on the Thames. A Gold license however means you are covered for both C&RT and Environment Agency waters, it costs around about £300 more than our previous license but now we can come and go as we like onto the Thames or on the River Nene.

Our cruising plans for next year are still dependant on a few things, but we thought it best to invest in a Gold license now as they only run from January to December and we could get a refund for what remained of our existing one.

Who knows we may spend a couple of months exploring the Thames in greater detail than we did a few years ago along with other rivers in the south. Or we may head eastwards to the Nene, Great Ouse etc. Time and commitments will tell.

0 locks, 0 miles, 2 Christmas shows, 2 Christmas lights, 3 red napkins, 4 pink t-towels,1 painting, 1 of several rivers closed due to flooding, £338.04 refund, 1 Gold license, access all areas, 1 cat licensed to kill!

Narrowboat Oleanna

Travels of Narrowboat Oleanna