Lockdown Mooring 3
Mick put the oven on first thing with our cast iron pot inside to warm up good and hot to bake the loaf. I didn’t hold out much hope when I unveiled it. When everything was heated up I lowered it into the pot on some greaseproof paper, put the lid on and slide it into the oven. Twenty five minutes later the lid came off, not the best view, but another twenty five minutes before it could sit on the shelf to finish cooking. I already knew it wouldn’t be the most appetising loaf I’ve ever made! Oh well I knew it was an experiment.
Mick spent some of the morning linking my phone to Zoom so that I could use it as a hand held camera to show my model better at my production meeting today. A cuppa was made and I sat down to see what changes to The Garden were going to happen.
Dark Horse Theatre Company work with learning disabled actors, they have an Ensemble of qualified actors and students. The Garden was to be this years graduation show, sadly Lynda and Amy had made the decision to cancel all live performances last week. Rescheduling the show was getting more and more complicated, affecting their next production which is a big tour for them. However they had come up with an idea which would mean the play could still be heard and still involve everyone who’d been contracted.
Five of us discussed the possibilities of the play becoming a radio play. How could the actors record themselves? How different would the recordings sound as they got edited together? Posting out a recording device wouldn’t be possible as the actors are not that tech savvy and not everyone has help from family members where they live. So the play would need to be recorded onto phones, sound effects and atmosphere added. We actually decided that the quality of the recording would reflect the times we’re living in rather than sound as if it was done in a recording studio.
But what of my part? I know how the show was going to look, how would it look now. The play will be illustrated by me, eight or so drawings depicting moments from the play, then portraits of the actors for the credits (my own idea!). The hope is that we’ll produce something that can go onto YouTube, therefore reaching a larger audience and be accessible for all. So I’ve not as much work to do, no sewing, but a lot of drawing and painting, all of which can be done on the boat. The hope is that when people can be together again Dark Horse will put together an immersive exhibition of The Garden, we may even realise part of the design, so my model needs to be kept.
A smaller meeting followed between myself and Amy (the Director) regarding the show that will tour next year. They currently have a computer games animator working on the show and it’s getting to the point where he will need to know what people will look like, what costumes they will wear etc.
We chatted through the show in detail, a play about Adulting, set in a 1984 type world where you have to pass tasks to be allowed into the adult world. It is a highly technical show and I will need to seek advice from those more ofay with serious digital projection.
Mick and Tilly kept quiet whilst my two hour meeting was happening. Mick had headed out to find milk whilst Tilly search for friends.
Late afternoon I headed out on my own again for a walk. This time I took the OS map with me and I headed out to walk in the opposite direction to yesterday. First walking along the canal to Bunbury. I passed a few boats moored along the cut, a tent in amongst the trees where a chap was collecting fire wood and a whirligig drying a bit of washing nowhere near a boat!
Bunbury staircase had both chambers empty, nobody had gone through, the walls were dry. Well we’d been the only boat along here to move yesterday so that wasn’t a surprise. In the window of the AngloWelsh office there were signs up trying to discourage people from walking the towpath. Below the lock the towpath is narrower than above so boaters who live there are getting twitchy.
Here I followed the road to the South. Lock Farm was readying itself for the cattle to cross the road for milking, the farm house a very fine looking building set back a touch from the road, all immaculate.
I continued onwards to where Bird’s Lane headed off to the left. Here hedges have been carved into long wide triangular divides between road and fields.
At the righthand bend I came across a couple of ladies out for their daily walk. They moved with precision keeping at least two meters apart from each other and did a red arrows manoeuvre when I came into view to give me space too. Thank you ladies.
Then across the fields, over stiles and little bridges to where I’d gone wrong yesterday. I’d turned left instead of keeping going straight, the kissing gate in a little dip so it had been out of view. Over the last bridge into the field below Oleanna and the canal. A black shape was just visible above the friendly cover, Tilly.
Well, there I was minding my own friends when a She appeared in MY field! How dare She!! I’d just detected a friend and then got distracted. She seemed to know me, She called my name. Hang on how come She was in my field!? Hello!!! My friend could wait.
When Tilly became convinced it was me her tail lifted above the grass and she trotted her way over to say hello. That tail is such a welcoming sight.
This evening I sliced into the loaf. Heavy, thick, zero crumb, just as I thought. We tried a little taste each, very sour from having been left overnight. I finely cut some up to sprinkle on top of my Shepherdness pie. Too heavy to feed to the ducks, but not quite heavy enough to become a mud weight, it went in the bin.
April is full of anniversaries for us. Today three years ago we hired a van, loaded it with essential possessions and bundled Tilly into her escape pod to drive to Sheffield. That day we moved onto Oleanna and Tilly claimed the bottom shelf of the bookcase as hers. Since then Oleanna has served us well, travelling over 3500 miles of canals and rivers and ascending and descending around 2300 locks. This year our travels will be much reduced, but one day we will be able to cruise again.
0 locks, 0 miles, 1 towpath trimmed, 2 hours talking to Yorkshire, 2 shows, 8 illustrations, 1 box set, 1 animator chomping at the bit, 9th April milk, 0 water, 9 hours, 2.3 miles walked, 2 boats, 1 failed loaf, 3 years of Oleanna life.
