Category Archives: History

The Menace. 15th February

BUMingham

Dennis to us is an inconvenience, to others a very serious worry. Whilst others around the country today have been preparing for their houses to flood for the second time this month, boat owners are wondering if their homes will remain floating and the army are out extending incomplete flood defences, we can’t head off to where we’d planned. Well we could but Dennis has brought stronger winds and more rain than Ciara last weekend.

So today was a perfect day to head to the Library for me. I stood in line on the escalators behind some Japanese tourists who were obviously there for the views, following them up to Level 2. Here I headed in a different direction, I was actually going to use the library for what it was intended, reading!!!

Last night I’d had a look on the internet to check that the book I wanted was held by the library and was on the shelves. I was in luck, they had two copies. The website also gave me the Level of the library and the Dewey Number. When I was at school I was a librarian, a good way of not having to go outside when it was raining, so I understood how to find the book I was after.

822.9 AYC

A line of Ayckbourn scripts ready for the reading. I picked up the play I was after and took a seat in the window looking in the approximate direction of the Farmers Bridge flight. Outside it was miserable, inside a touch damp along the way from my seat where a line of buckets caught drips.

A couple of weeks ago I’d been asked if I thought one of Sir Alan’s plays would fit on the stage in Vienna. Other designers have said the stage is too small as the said play requires quite a few doors, a balcony and a bathroom to be in view. If you know your Ayckbourn then you may be able to narrow the play down. A few more clues, a dominatrix, 2 wives and time travel.

I’m not alone in my opinion of Schoenberg!

I’ve seen the play at the SJT after I finished working there full time and it was in rehearsals for it’s London premiere when I was asked to go along to meet Alan in 1995, he was getting a bit twitchy about all the new staff coming to work at the new theatre. So I was aware of the basic story and how it had been staged in the round, today I took notes and got to know the play better, hearing the actresses I’d seen in Scarborough speaking the words in my head.

First thoughts, maybe it’ll fit. But I’ll need to get a scale rule out and look at their plans before I add my verdict to those given previously and I’m sure I know one of those designers, so I’m not holding my breath.

Our plan for today had been to head out along the new main line, hang a right at Smethwick Junction, up the three locks, then a left at Spon Lane followed by another left and up the six Oldbury Locks to find a mooring at Tat Bank so that we could go to the theatre this evening. But due to the Menace we caught the number 13 bus instead, which only took around half an hour and dropped us off at the end of Engine Street.

At the far end a group of cars then a C&RT sign signalled that we were in the right place. Through the car park we then wondered where to go. A large door was open as the rain came at us sideways, but this was the C&RT services. We tried up some stairs, no joy there. Then a group of people came who looked like they knew where they were heading, the far end of the building, Titford Pump House.

Tonight we had come to see Alarum Theatre Company and their show Acts of Abandon. Alarum is made up of Kate Saffin a playwright, performer and amongst may other things a doyen of waterless toilets (composting toilets) and Heather Wastie, a poet, song writer and performer. Back in 2017 they toured their Idle Women show around the network with NB Tench recreating the journeys of the women who worked the boats did during WW2.

Tonights show had limited numbers (about 50) so we’d had to reserve our place during the week, this was due to the size of the room inside the pump house. This is where the Birmingham Canal Navigation Society meets, it used to house an old beam engine but now an electric pump does the job of pumping water back up the flight. We hope to get here during daylight hours soon and when it isn’t blowing a hoolie to be able to look round properly.

‘The Muck and Shovel Brigade‘ is a mixture of poetry, song and the history of the Droitwich Canals. How an act of parliament closed the navigation and a team of volunteers dug the canal back into life again after it had been abandoned. A programme is essential so that you can join in with the songs.

After a glass of wine in the interval, Kate took to the stage to recount the tale of ‘The Mary Rose, a boat of ill-repute’. A one woman show she plays all the parts from the two ladies who move onto an old work boat in Wolvercote on the Oxford Canal to the local landowners, police and punters following WW2. No-one had got round to repealing an 18th Century law that allowed a brothel to be on a boat. Armed with her trusty tea chest and an armful of costumes Kate tells a lively tale.

Heather and Kate at the end of tonights show

A very fun evening in an historic setting during Storm Dennis. If you fancy seeing the show then head to Tipton Green Methodist Church Hall on the 25th February after you’ve had your pancakes. They will be touring the show more, but in small chunks.

If we’d have gone by boat we’d have stayed for a drink but with one bus back an hour we headed to the bus stop and waited in the rain. Back at Sheepcote Street Bridge the level looked like it had come up, but Tilly had been keeping an eye on everything and all was well on board.

0 locks, 1 spotted in the dark, 0 miles, 822.9, 46th play, 4 doors, 1 bathroom, 1 balcony, 3 times, 2 buses, 2 shows, 1 tea chest, 1 windlass, 1 squeeze box, 1 glass of wine, 50 including 2 dogs.

What I’d come to read, Communicating Doors

Mystery Tickets. 13th February

BUMingham

Since being around Birmingham we’ve been hoping to be able to go to the Symphony Hall. Mick tried to get a cheap ticket whilst I was in Vienna, but the cheapest one for that nights performance was around £45, not cheap in our book!

Occasionally we’ve given the website a glance. A couple of days ago Mick noticed tickets priced at £13 for Schuberts symphony in C major. Where were these tickets? Well they were ‘Mystery tickets’ so we wouldn’t find out until we picked them up which we could do from a couple of hours before the performance.

We jumped at the chance. Firstly we both wanted to go to the Symphony Hall having heard great things about the acoustics (thank you Dimitrios from NB Galene) and secondly because of something Mick’s Grandfather wrote on the 7th September 1943 in a letter to his brothers and sisters.

Philip Chignell was the organist at All Saints Church, Hessle near Hull during the Second World War. From 1939 to 1946 he wrote 128 ‘BS’ letters a copy of each he filed away. In 1989 Marion (Mick’s sister) decided that they should be seen by more than just the family as they were a record of life in Hessle during the war. She edited and collated the letters into a book “From Our Home Correspondent”.

Schubert’s ‘Great’ Symphony was obviously one of his favourites.

‘I am given to understand that in the day of resurrection everybody will be playing golden harps and there will be no call for organists. Well. They can have their golden harps, I don’t want anything to do with a harp. I intend to go in for a bass trombone. I shall be able to play it straight away and I shall immediately put in a request for Schubert’s Symphony in C. What a joy that would be. I can see myself, clothed in white, of course, and playing that bass trombone and ‘jiggers’ to your golden harp. I prefer brass, it gives out a stronger tone than anything made of gold.’
Philip Chignell, B.S.106 7th September 1943

So we crossed over the bridge and walked into the ICC where numerous people were quaffing bubbles at an evening do with What Car Magazine at the conference centre. We weren’t invited up the escalator but joined the shuffling masses heading into the Hall on the other side of the building.

Our Mystery Tickets were for row S in the stalls between seats of around £37 and £44. These were cheap tickets but not cheap seats.

The first half was Berg’s Violin Concerto, 27. The soloist Leila Josefowicz had had to pull out due to illness at short notice, so instead we had Ilya Gringolts. I suppose in such situations it’s a little bit like if an actor is taken ill and there is no understudy, people wrack their brains as to who played the part not so long ago and give them a call hoping that they are free and remember the lines.

Plenty of leg room, just not so much elbow room

The concerto was okay, I was never going to totally enjoy it as Berg was taught by Schoenberg, the twelve tone row master, have to say I’m not a fan. But at least this was mixed with more freer tonal passages.

At the interval we made sure we hunted out some chilled medication before returning to our seats. With several empty seats further along our row, we moved to a more central position giving everyone more arm room. Here we could relax more and listen out for those bass trombones!

Schubert did not disappoint, neither did the brass section. Juanjo Mena conducted accompanied by the chap in front of Mick, although he was very subtle about it. More tuneful and less discordant we both enjoyed it very much. I could understand Philips urge for the trombone.

One thing I did wonder though. All the men of the orchestra wore white tie and tails, most of the ladies wore black trousers and tops only one long frock was in view. Should their dress code be more universal? Either formal or less so for all sexes.

0 locks, 0 miles, 1 stand in, £13 mystery tickets, 2 conductors, 3 trombones, 2 chocolate medications, 1 very good evening.

Keeping A Handle On The Dead. 13th February

BUMingham

A walk down a few of the Farmers Bridge locks this morning and then across the arched footbridge. A familiar cruiser Yoghurt was making it’s way down the flight. We’ve seen the boat in Droitwich before and such a good name cannot be forgotten.

Just a couple of doors up the hill is Newman Brothers, a place more commonly known as The Coffin Works. This is another museum based around a factory where the workers laid down their equipment on the last day of employment and today it still lies there for visitors to see, a time capsule.

Alfred and Edwin Newman established the works in 1882, originally brass founders they predominantly made cabinet furniture. In 1894 they moved to Fleet Street and started to specialise in the production of coffin furniture, there was more money in dead people than furniture. Edwin left the company leaving Alfred to be the sole owner in 1895. The company was doing well, the fashionable dead liked having ornately decorated coffins, even the poor would do their best for the deceased.

Alfred left the business to his two sons, George and Horace. Shares were sold and handed out to employees. When Horace, the last surviving son died in 1952 the last direct link to the Newman family was cut. The company was then run by a small group of shareholder directors.

Joyce Green started work as a secretary in 1949, she rose quickly to company secretary during the 50’s. As employees left or died she would buy up their shares until in 1989 she became the major shareholder of the company. Her association with the company had been for 50 years and when it was finally dissolved in 1999 she turned her attentions to saving the building with the hope that one day it would become a museum.

The prime location was held onto for five years by Joyce, tower blocks now surrounding the three story building. In 2003 she sold the premises on the basis that the building would not be used for residential use for five years, hopefully giving enough time for funds to be raised for it to become a museum. Birmingham Conservation Trust then came on board, it took some time to raise the £1.5 million needed to transform the building, things were looking up.

David demonstrating one of the four stamps

Birmingham City Council put money into the kitty and by 2012 a new professional team were brought on board to manage the project. During 2013 and 2014 teams of conservationists moved in, photographed the collection and the building was restored and made safe for visitors. On the 24th October 2014, launch day, Joyce’s dream finally became a reality.

The old foundry no longer stands in the courtyard, a newer building takes it’s place, this now houses businesses that lease parts of the old factory taking advantage of a rather good address ‘The Coffin Works, Fleet Street’. David our guide showed us into the Stamp Room, here decorative panels where stamped out of tin. Then flywheel presses, bigger than those at the Jewelry Museum would cut out the shapes. These would then be polished up and passed up to the packing room ready for orders from Funeral Directors.

The demise of the company was partly down to foreign imports, but also more people were getting cremated. Cremation brought with it a ban on using metal, wooden handles or plastic were used instead. Newman Brothers invested in machinery to be able to make plastic versions of all it’s metal coffin furniture, but they couldn’t compete with prices from abroad.

The office was revamped in the 1950’s, a cupboard high up held the beer and cigars to help woo the funeral directors into placing large orders. Then David took us up more steep stairs to the Shroud room.

Worthington E or a sherry with your Castella?

Here 14 sewing machines were kept busy creating shrouds for people to be buried in. There was a big market in such things until it became the fashion to be buried or burnt in your best suit or favourite dress.

When we’d arrived we clocked in and as we left we were encouraged to clock back out. Another museum well worth a visit in Birmingham.

Handy hint if you plan on visiting one or more of The Jewelry Quarter Museum, Coffin Works or Pen Museum, it’s worth trying to do them with a couple of days as you can get money off if you keep your tickets.

0 locks, 6 walked down, 0 miles, 1 yoghurt pot, 6.53 clocked in, 8.03 clocked out, 100 years of coffin handles, 1 undertaker, 8 on the tour, 1 determined Joyce, 1980 Joey Tempest Lion.

Back To Backs. 6th February

BUMingham

The other day we made a call to the National Trust to see if we could get on a tour around the Back to Backs in Birmingham. This is another thing we’ve been meaning to do for a while. Ringing them meant that we could slot onto a tour this week when space was available.

Walking through Birmingham can be problematical at the moment with underpasses closed and not being able to walk along some of the tram tracks. So we took the usual route past the library and then joined Hill Street, walking through China Town onto Hurst Street. Modern buildings gave way to reveal a corner of red brick, an enticing sweet shop on the corner.

Our tour was for 2:30pm and we’d arrived in plenty of time to check in at reception and have a look around the exhibition upstairs. There is an amount of being able to be nimble at the National Trust property as there are plenty of steps involved on narrow winding staircases.

The exhibition gives you some of the back ground of the houses on the tour . In 1789 the land was leased by Sir Thomas Gooch to builder John Wilmore. By 1802 the first house was completed and during the 1820’s more houses were built and by 1831 court 15 was completed. Birmingham’s back to back houses were unique as they were all built around a courtyard which housed all the services for the houses on that court. Court 15 was possibly one of the smallest in the area.

By the end of the 19th Century all the front facing houses on Hurst Street had become shops on their ground floors, the occupiers living on the top two floors. In 1966 the last family to live in the houses moved out after the courtyard was condemned for domestic use. Some shops continued to be run for some time, George Saunders tailors being the last to leave in 2002.

The court became Grade 2 listed in the 80’s but the properties deteriorated rapidly. Restoration work began in 2003 and in 2004 they were handed over to the National Trust and opened to the public.

Tours are kept to a maximum of eight people and the route through the houses is tight. We were lucky as there were only six in our group so we could see a bit more in each room. Starting off in the street we were given the history of the houses and then we passed through a gate across the alleyway into the court.

Court 15 had 11 houses and in 1851 there were 60 people living there. Three toilets and two wash houses between them, the nearest tap was across Hurst Street.

A Large scullery with one window and a candle for light mid afternoon

The first house we were shown into was the largest and laid out in the earliest period, 1840. A scullery added onto the front of the house, the main room all lit by candle light. The fire in the hearth just keeping the chill off.

Landlords had to redecorate between tenants, so they kept it as simple as possible

Our tour wound up the narrow flight of stairs into the main bedroom, where two beds and a wash stand filled the room, up another floor and three beds squashed together. A door led to the property at the front. This has been left so that you can see what the houses were like before being restored. Colour wash on the walls, the plaster barely hanging onto the ceilings. Torches were needed to look at photographs of the houses through the ages.

Down into the next house where a family with nine kids once lived. The children sleeping four to a bed, topping and tailing, a blanket hung between beds for some privacy. Next floor also two beds and a work bench. The chap who lived here made clock hands and many of the tools he’d have used would have been similar to those we’d seen in the Jewelry Quarter Museum the other day.

Old doors and frames kept in the top rooms

A bigger stove in the groundfloor room with two ovens. This house had gas lighting, but our guide said that this type of house in 1870 wouldn’t have had it, by the 1930’s then maybe.

Back into the court and into the third house, 1930’s. Kitchen utensils more familiar to us all. Here a chap lived who made glass eyes, some for people but the majority for taxidermy. He wouldn’t have worked from home as the glass needed high temperatures to melt it. This house is laid out with electric light, our guide poo pood this also.

Up more stairs and into the tailors house. This is where George Saunders worked through the 70’s and into 2002. Quite a few of his possessions, machines, off cuts of fabric and patterns are on show.

When he first came to the country he applied for tailoring jobs, one he was invited for an interview with the job being made for him. On arrival he was turned away, being told that the job had gone. George was very well qualified for the job, the colour of his skin his main problem!

He worked in factories until he set up his own shop here. His firm prospered, he had regular clients and didn’t need to advertise. A Teddy coat with all the tailors stitches sat on a stand for all to see his craftmanship.

Back out into the court we were shown a wash house. When you moved into a house on the court you would be told which day was your wash day. Originally water was brought from across the street to be heated up, then a tap was brought into the yard and in later years each house was provided with a cold tap.

The toilets started off being just earth closets, these were upgraded to buckets which the night soil man would take away and then upgraded further to flush toilets.

What an interesting hour and a half. We had to finish it off in the 1930s sweet shop on the corner. But what to choose? 1/4lb bag of sweets but so much choice. Many I remembered from the School Shop when I was a kid, but the shelves here were much longer, so much more variety.

Pompom my Grandad would have been happy with some Frys Chocolate Cream. I opted for Raspberry and Blackcurrant chews, Mick a bag of dark chocolate ginger. Marvelous.

Fry’s Chocolate Cream, Pompom’s favourite

0 locks, 0 miles, 1 aborted smiley lady, 11 back to backs, 60 people, 3 toilets, 2 wash houses, 4 to a bed, 8 to a tour, 1 nimble tour guide, 80 eye balls, 1 fascinating afternoon, 1 tap on the roof, 1 visit from Paul.

Smith And Pepper. 4th February

BUMingham

The Museum of the Jewelry Quarter has been on our list of things to do whilst around Birmingham for some time and finally today we walked down the first couple of locks of the Farmers Bridge flight then headed off northwards. Gradually the buildings turned from light industry and flats to small Victorian factories and then to houses. The houses are mostly shops, jewellers, bullion dealers, we’d entered the Jewelry Quarter.

Here is where the FA cup was designed, whistles for the Titanic were made amongst many other things boasted about on brass plaques laid into the brickwork below your feet as you walk along.

The Chamberlain Clock stands proud as a roundabout, erected in 1903 to commemorate Joseph Chamberlain’s tour of South Africa in 1902/03 after the end of the Second Boer War.

A small group of people were stood taking photos by the bridge over the railway, a Council street cleaner was busy too. It took a couple of seconds to realise why. This is where about two weeks before last Christmas some graffiti appeared overnight right next to benches where the homeless tend to sleep. Banksy had been at work. (Link to footage from Banksy’s Instagram page). The artwork made it into a lot of the papers.

Cleaned up, but who added the red noses?

The two reindeer are now covered with sheets of perspex which un-skilled graffiti artists now leave their marks on most days. The council chap was busy removing the latest offering as he chatted away to us, I think he rather enjoys his job now. As the pink squiggles were wiped away we chatted about similar artworks in Birmingham, especially David Bowie by the Bull Ring.

The museum wasn’t too far away and we managed to get onto the next tour round the factory. Smith and Peppers was established in 1899 by Charles Smith and Edwin Pepper (his Uncle) at 77-78 Vyse Street, Charles and his wife lived at 77. By 1914 the business was doing well and they expanded, houses were demolished and a factory built at the back.

The admin office with a paper trail back to when the company was founded

In the twenties Eric and Olive Smith (son and daughter of Charles) both joined the company and by the time Charles retired in the 30’s another of his sons, Tom, had joined. Eric and Tom then ran the business with Olive as company secretary. The factory continued until the 70’s when the recession hit them. People had little if any money spare so luxuries like jewelry.

In 1981, Eric, Olive and Tom were 81, 78 and 74 they decided to retire. With no heirs between them they tried to sell the company, but there were no takers. So after the factory summer holidays the staff were gathered on the Monday morning and told to finish off what work they were busy with and at the end of Friday the doors would be closed for the final time.

They tried to get Avoncroft Museum interested but they weren’t. So on that Friday afternoon when the last pieces were finished the workers downed tools and left for the last time, the doors closed behind them everything left just as they left it.

It took quite some time before the Council (who owned the building) to realise what they had and what they could do with it. In the 1990’s someone came up with the idea to open it as a museum. Detailed photographs were taken of everything, the building was emptied so that work could be done to make it safe for the public. Once this was completed everything was returned to the exact position it had been left in in 1981 when the doors closed for the final time. A real snapshot frozen in time.

Today Audrey, a volunteer showed us round. From Eric’s office where orders were taken for wholesale trade, into the main office. Here box files contain every receipt the company ever had. Orders would be recorded and sent down in the dumbwaiter to the factory floor. Eric would have his breakfast, toast with homemade Blackcurrant jam or Marmite. Finished orders would return here by dumbwaiter and be boxed up, reusing packaging, then taken by the young office girl up to the Post Office in a string bag. The Jewelry Quarter was a safe place then, everyone was carrying high value goods about the place. The Post Office here was the busiest in the country outside London.

Line of cast iron patterns bow the shelves

Down below in the factory we were shown where the days gold was weighed into tin boxes for each worker, at the end of the day these would be returned and weighed, finished items accounted for and a 2% loss was allowed. Each day the floors were hoovered, each day the overalls were washed out, each day all the waste and water was drained through tanks of sawdust, the feet of the wooden stools would be cut back every now and then and below in the cellar this would all be burnt to recoup any gold. Over a period of two years this would amount to quite a chunk of gold.

Flame sat ready to have air added from a pipe that would sit in the jewellers mouth all day

We were shown round where engraving happened, walls covered in iron dyes for stamping out patterns into sheet gold.

A bench where nine jewellers sat soldering bracelets together had an army of angle poises illuminating the benches where soldering flames burnt at the ready, tools looped over string for easy access and leather pinnies fixed to the benches to catch any gold before it reached the floor.

Sqezy washing up liquid ( my mothers choice for many years)

3D relief shapes were stamped into sheets of gold. One chap who worked on this was quite elderly and was pulling almost his whole body weight each time he used the machines, so a motor was added to assist him, but being proud of his skill he refused to use the mechanised assistance.

Other hand operated machines cut shapes out of sheet gold. Then a bank of polishing machines would be wurring round constantly with the ladies bringing the shine back to all the pieces.

Would you like sugar or something more sinister in your tea?

In a room to one side, tea making facilities sat next to the electroplating. Here the lady would make your tea, whilst handling deadly chemicals and putting items into a cabinet where the fumes would rise out of the factory, a form of health and safety.

Health and safety at it’s best, the cabinet to take fumes away with close fitting doors!

What a wonderful place, a must see.

White tiles on the building next door to reflect light into the factory

0 locks, 0 miles, 1 cooked breakfast, 2 reindeer, 1 sheet perspex, £7 twice, 2 floors of displays, 1981 stood still, 1 scottie on the floor, 2 adaptors, 1 toaster, 1 dumbwaiter, 3 siblings, 7 shades of overalls, 1 person to befriend, 1 tram, 1 package of post.

Vienna Postcard 4. 13th to 15th January 2020

31 hours

Real roses tend to loose their heads when used in magic tricks

Back to work Monday morning. Today we should have been doing some technical notes followed by a couple of dress rehearsals, the second one to be watched by Julia and Helene the Producers from the theatre. I spent the morning breaking down the water torture cabinet more. Then later I was able to add chains and padlocks.

Me on stage adding bits of dressing to the water torture cabinet

The afternoon was then spent going through sound and projection cues. Even though Sunday afternoon had been used as extra plotting time there were still issues. The projector was producing a distorted white rectangular light when we went into black out. One suggested solution was never go to black out! This didn’t go down well for obvious reasons.

Dan running through things out of costume

Then when the water torture cell came on (it has a tv screen inside it which runs footage) the projector also showed the footage! The projector wasn’t the right one for the job. This was the point that the projector was turned off never to be powered up again!

Everyone was getting nervous when sound cues were played back. This morning they had been finessed, this afternoon all that work had vanished and needed redoing. Poor Dan really needed to do a dress rehearsal but was thankful that he and Tim had done a run on stage on Sunday as there was no time left.

So our first dress rehearsal was in front of the producers and photographer. My set still needed a few things doing to it, but there simply hadn’t been any time left after sorting the technical issues out. The dress went okay, but the producers had lots of questions afterwards.

Tuesday there was time to finish the cabinet, with bolts and breakdown the chain making it look older. Then Bruno, the Viennese Frank Matthews started work on what are known as the ‘Doughnuts’. These on the transporter bridge connect the cables from the dolly at the top of the bridge to the gondola below. I could hear quite a lot of German being muttering under his breath, but in the end he succeeded in getting the tension right on the ropes both upwards and down to the stage.

The dress rehearsal in the afternoon disappeared again, so in the evening we had a preview in front of local teachers. It went well but with a few little glitches. Most of us retired to Das Lange for a few glasses of beer and wine, we’d got through the show, but there was still work to be done.

Healthy fruit for breakfast was followed by some egg and bacon

Wednesday morning I was given instructions to head off and do some sight seeing. My jobs list was short but lighting, sound and a new projector needed to attention. Helga was sent out to track down more rivet heads that I could use on the bridge.

So I headed into the city to the historical centre. Walking in again I wish I’d wrapped up better as the temperature was low, it even started to try to snow at one point, sadly not for long enough. Young trees were wrapped up to protect them in parks and a few mounds of old snow lingered near the ice skating ring.

I walked through the palaces, not really knowing what was around me, the balcony where Hitler addressed the crowds in 1938. The butterfly house reminded me of Kew garden with a touch of Jules Verne added. St Stephan’s and St Peters churches both still with their Christmas displays.

At Julius Meinl I was pulled inside to marvel at the number of different caviars for sale. I hunted round for things to bring back. The cakes looked fabulous, the cheeses so tasty, twelve types of tomatoes, tins of baked beans for 2.49 euros! I spent my time smelling and absorbing and refrained from buying anything other than what the ladies at the theatre had said was the best Austrian chocolate Zotter, they certainly make strange flavours!

Whilst having some lunch I got a phone call saying the rivets had arrived. So I walked back to give them a coat of paint before they were added to the set. I’d only managed 8 miles walking today!

In the morning a new projector had been brought in, but the image couldn’t be made a suitable size to satisfy us. So after another morning of work the projection in the show was cut for good. I could then get on with riveting the bridge with the help of Vernon. we managed two sides but ran out of time. He’ll finish them without me tomorrow.

Another preview night and then it was time to pack up my belongings. Julia and Helene seemed happy. The show is great, it’s just a shame the icing on the Sacher Torte was missing, your average punter wouldn’t know it wasn’t there. Farewells and big thank yous to all the chaps at the theatre. They are a great bunch and very welcoming. By the end of my time there it felt like I’d been working with them for ages, a very good team.

Vienna Postcard 3.

A day off

After a good breakfast I set out to explore Vienna. I had a few things in mind and whatever else I came across would be a bonus.

First port of call, The Leopold Museum. Built in the Museum Quarter which is situated in the former Imperial Stables. Rudolf and Elisabeth Leopold amassed their collection over 50 years, in the 1950’s works by Schiele and Klimt were considered to be taboo. The Leopolds contributed the lions share of some 5200 works of art to the Leopold Museum at a fraction of their estimated value of 570 million Euros.

The galleries are filled with paintings, sculptures, some clothing and furniture. Some of the marquetry was exquisite.

Klimt and Schiele I knew but Oscar Kokoshka, I knew to be a writer and playwrite, not a painter.

Schoenberg, the tone row composer (I have had physical reactions to his music in the past, he’s not one of my favourites).

Then new artists for me. An exhibition of Richard Gerstl who is considered to have been the first Austrian Expressionist, you can almost hear the paint being applied to his canvases.

Then Emil Nolde a German/Dutch artist, who’s choice of bright colours caught my eye.

But my favourites were The Blind Man by Klimt, not in his more recognised style;

Schiele’s House with Shingles. It looks like the roof is made from many thousands of books.

Man with fur cap (My brother the Animal)

and The Man in a Fur Cap by Albert Brinkle. This chap looks like a corn fed chicken.

After a couple of hours inside I reclaimed my coat and headed onwards. I’m glad I took my feather and down coat as even though the sun was out it was still a touch chilly.

Tim the Director of Houdini had mentioned a fantastic food market called Naschmarkt, so I headed off to have a look. I was already aware that it would almost certainly be closed, few shops are open on Sundays in Vienna.

Despite all the shutters being down I could peer in through the windows and imagine the smells from the sausages, spices and dried fruits. If I come back I will do my very best to visit here when it’s open. My Mum would have spent a whole week here.

Looking up above street level two buildings jumped out. A verdigrised lady way up high shouted to me to admire her building against the bright blue sky. She was right, it was beautiful. Designed by Otto Wagner who was a leading member of the Vienna Succession movement and the broader Art Nouveau movement.

Almost next door is another of his buildings, less gilt but more colourful. His work has been added to the next time list.

Time for food. I needed to eat well today as I’d spent far too much time trying to work out what I could eat in the supermarkets. Google is your friend at such times and it pointed me towards Blue Orange who did gluten free bagels. Mine was very tasty with beetroot humus and a cup of tea with a nice sit down.

Next I wound my way round side streets and headed for Weiner Park where the Weintal Canal heads out to the Danube Canal.

This was built as a relief channel, it looks more like a storm drain now with fancy bridges, but it was used to rid the city of sewage.

Vienna’s own Three Bridges crosses the canal, road above rail above water criss crossing as they do on the Hanwell flight.

I’d seen so much Baroque architecture as I walked round I now headed to find something different. Kunst Haus Wein designed by architect Hundertwasser is reminiscent of Gaudi or Manrique, but in his own way. Inspired by Klimt his work contains numerous tiles, cut to different sizes, applied at different angles.

Kunst Haus Wein is mostly chequer boarded on the outside, the main entrance with wavy steps with large bulbous pillars with mirrored and tiled sections.

The building houses a museum and a gallery which hosts photography exhibitions. Sadly by the time I’d got here it wasn’t worth the entrance fee to look round. A quick look round the shop and a comfort break did mean I got to walk on the uneven floors all sweeping up into the corners of each room. Another place to come back to.

By now the sun was setting, so I walked along the Danube Canal to reach the older part of the city. The walls confining the fast running water were lined with much graffiti, not much of it worthy of photographing. As I rounded a bend hills could be seen in the distance.

I now joined the masses of tourists in the older districts. St Stephan’s was being photographed from ever angle with the dark blue sky above. The tourist shops open, selling their tacky tack. I meandered my way around.

The column of Pest was another focal point. I joined in with the selfies, but got bored of trying to get both myself and the statue in focus, so it just looks like a Christmas tree.

The blanketed vestibule at Demel opened into a mirrored shop selling expensive cake, there were a few seats in a back room were fizzy wine was being served, I’d hate to think how much the experience was costing the lucky few!

Horse drawn carriages could be smelt before they came into sight waiting by the entrance to The Hofburg where you can see Lipizzaner Stallions at the Spanish Riding School.

By now I was starting to feel a touch hungry and quite tired. Should I head back to the hotel? Should I climb on a tram? Or should I carry on walking? I chose the later and headed towards a restaurant I hoped I’d enjoy.

Through the Hofburg where there was a bar set up

I plotted my route, the most direct route along a shopping street. C & A amongst all the usual highstreet names and Austrian stores. The road kept going and going and going. Eventually I saw a Kentucky Fried Chicken sign, I’d almost reached my destination.

Gasthaus Zum Wohl. Here in the warm I took a seat, looked round at what everyone was eating and then was offered an English Menu. Oh for somewhere like this back home. Zum Wohl is a gluten and lactos free restaurant. Here I could choose anything from the menu. Here I could have a glass of draught beer, brewed especially for them.

I had a choice, I didn’t really, I already knew what I was going to have. Wein Schnitzel. Well I am a tourist! When it arrived I was astounded at how big it was. Accompanied by a potato field salad and some cranberry jam. Ooh it was nice and just what was needed after a long day on my feet.

I checked the pedometer on my phone and then ordered some almond and chocolate pancakes for pudding. I did wonder if I had room for them, I still had a mile to walk home, so felt no guilt.

Once back at the hotel I popped my pyjamas on and poured myself a glass of wine. What a good day it had been.

Meanwhile back at Tardebigge.

Tom moved the outside to a very good one, plenty for me to do. He had a friend come to visit.

Tom Chris stayed lots of sleeps. He’s thinking of having a boat built for him They talked boats lots, reminisced even more, then went to see the dog in a bath down the locks and ate at The Tardebigge. On Sunday they moved the outside. They tied one up and went shopping, then turned us around and headed back to catch the previous outside again.

More shore leave for me! I spent ages in the sideways trees and climbed a tree. A friend kept me busy too. But when I got back to the boat in need of a drink it had gone! Tom had moved the outside with me in it! How dare he!! I shouted lots, but only the wind chimes heard me.

Then from nowhere Tom called my name. What was he doing over there?! At least he had the boat with him!

0 locks, 20.71 miles, 6 tunnels, 3 water fills, 1 extra Tom, 1 friend, 1 missing boat, 10.75 miles walked, 1 museum, 1 bagel, 1 wein schnitzel, 1 beer, 1 very good day in Vienna.

https://goo.gl/maps/DGumaJvH7rjELNrP9

White’s. 2nd January 2020

The Giraffe, Birmingham

This years daffs are starting to show their heads already

The two of us have spent a bit of time trying to hunt out where or how we could get a new ash can. Getting one delivered to a Post Office or Amazon Locker would have been great, except they are too big according to Amazon! So instead we’ve been concentrating on trying to find a hardware shop that might just have one.

This morning we walked down the Farmers Bridge flight. We like this flight but have realised we’ve only ever been down it, never up. The BT Tower sits high above as the locks work their way under buildings, roads and the railway.

Once off the canal we followed a dirty rubbish strewn road to our destination, White’s Ironmongery. Sitting on the corner of Lower Loveday Street and Summer Lane the 1930’s building melded in with it’s background.

The window displays of hinges, brushes, bolts on boards totally filled the windows. We opened the doors and went in.

Shelves and shelves and shelves, older than the RSJ’s above them

I was immediately taken back to when I was four, with my Dad going into Stubbs in York for some screws. Shelves lined the walls, each opening once filled with boxes of screws, nuts and bolts, all manner of things. The wooden drawers covered in decades maybe centuries of patina. Labels for many an imperial sized object still in place. As a kid I used to imagine the shop assistants sliding along the shelves on their ladders to reach the top boxes, pushing from one end of the shop to the other.

Today in White’s the shelves were not so full, but still the atmosphere. There were a few displays in the middle of the room, more boards advertising their wares, a few gaps where the last hinge of its type had been removed. Hanging from the ceiling were mop buckets and two galvanised buckets. A lady appeared a touch like Mr Ben bringing with her some warm air.

Unfortunately the suspended buckets were all they had, none with lids. A bucket however would do us for the time being. It would give us somewhere for hot ashes to cool off before being disposed of with our rubbish and mean the ash pan could stay in the stove rather than sit on the towpath. If we were going to get anything else nicked, we’d rather it was a bucket than the ash pan from our corner stove which would be hard to replace without ordering one from Yorkshire.

Whilst here we had a routle through boxes of bolts. Back in the summer Mick had wanted one for our batteries. A good look round and he may have found just the one. When asking of its price the lady said 10p! When our hand written bill was finished she said call it £7, the bolt now 5p.

What a wonderful shop, with just about everything, except an ash can with a lid. How do they stay trading in this modern world? Hopefully local builders and joiners give them plenty of business.

A walk back through town to get some food for this evening. The trams now run into the centre and many of the hoardings we’d got used to seeing 18 months ago have now gone. Old buildings surrounded by new glazed towers.

Then it was time for me to do a touch of work. A script was printed out, read, notes made, photo references added to Pinterest. Then my tickets for my flight to Vienna were printed out. These are all in German, so I spent a while trying to translate them in case there was something I needed to know other than the obvious times and flight numbers. It’s a long long time since I did German at school and only the bare minimum has remained with me.

0 locks, 0 miles, 1 flight walked, 1 bucket, 12, 1 bolt, 1 time warp, 8 page script, 105 images, 4 flights, 22 letters in a word, 2 many consonants!

Meanwhile Back On The Water.

Jericho

Whilst I’ve been away working life of course has continued on Oleanna. Last week Mick had a couple of trips to London. His first excursion was to Ealing, where he grew up. He said it was so that he could go to Morrisons for some peanut butter (their’s is made purely from peanuts and is our favourite) but he also had a look round. The ABC (Old Empire) has been demolished, the front facade left in place, now covered for protection whilst a new development is going on behind. Here there is planned to be 200 new homes an eight screen cinema, shops and restaurants. link

A shop window with it’s own Strowger exchange

He also had a trip over to east London to pick up our post, returning with three shoe boxes. Once the contents were removed Tilly tried the slipper box out for size. Quite a nice fit, I am reserving judgement though until I’ve tried the other two out.

Last weekend Mick headed up to Liverpool for a night to celebrate John’s (his brother-in-law) 70th birthday.

There were drinks over looking the Mersey from Panoramic 34 followed by a meal at Radison Blu Hotel.

Then a trip on the Mersey Ferry which was followed by drinks at The Philharmonic where Mick would have taken photos of the toilets but they were in use.

Then an evening at The Philharmonic Hall where the choir numbering 150 were accompanied by the Philharmonic Orchestra playing British Classics, Britten, Vaughan Williams and some Elgar. A very good evening was had by all.

In the morning there was a tour of the Williamson Tunnels. Joseph Williamson was an eccentric, who in the early 19th Century refused to give money to the poor but instead employed them to dig holes and tunnels for no known purpose. The tunnels had been filled in with Victorian rubbish which volunteers have cleared out and cleaned up. The extent of the tunnels is unknown.

On Monday morning the level of the Oxford Canal had dropped since I’d returned home, the small weir by Isis Lock not overflowing as much, perhaps levels were starting to lower. But by Tuesday the water was on it’s way back up. Mick headed down to Isis Lock to fill with water and do some washing, there is a tap there for the permanent moorers and sitting in the lock you can access it, lets face it nobody would be coming up off the river! The sixth brick below the lock was showing.

On Thursday morning the levels were looking a touch higher, the canal overflowing the lock gates into the river too. Oleanna was rising on the canal and with the amount of rain over the last few days Mick preferred to stay on Oleanna for the evening rather than heading out to Chippy for Press Night. Being on board, should the levels rise anymore he’d be able to do something about it. There was already a plan to nudge up to the hire boats opposite should the mill stream top the towpath. Being tied up to them would mean Oleanna wouldn’t be able to end up sitting on the towpath.

Mick had a chat with a fellow from the Environment Agency, the level of the canal was caused by run off in Oxford and not from the river. So the canal should start to lower once the rain stopped. The river would need quite a lot more water to come over the towpath as the whole of Port Meadow was currently being filled with water, a useful flood plain.

During the day someone opened the paddles at both ends of Isis Lock to help drain off the excess as the weirs couldn’t keep up with the amount of water. So when Mick came to meet me at midnight he had a windlass in hand to lower a paddle.

Two weeks ago there had been a blue boat moored near Isis Lock on the canal, the following day it had disappeared. A walk over Osney Bridge to get one of our bikes serviced and Mick found the boat. Somehow they had got down the river, were facing upstream and had just managed to tie to the end of the railings there. Maybe they’d headed that way backwards as the flow along East Street at the moment is very strong. I’m so so glad Mick made the move when he did to get off the Thames.

1 lock gone into but not descended, 1 reverse, 2 moorings close together, 1 trip to Liverpool, 2 trips to London, 1 ferry, 0 panto, 1 cat not that impressed, 6 bricks, 2 paddles up, 1 big step up, £91 bike service.

Panto Postcard 1, 2019

58 hours

On Sunday Mick helped me with all my things to Avoncliff Station.

I had quite a lot and a quick change at Westbury Station so he decided to come with me that far to help get me onto the next train. After another change I got a taxi to Admirals Hard where I caught the Cremyll Ferry across to the Rame Peninsula. Only an eight minute crossing but just long enough for those of us sat outside to get sprayed by the waves.

Lou was there to pick me up, we dropped my work things off at the workshop where Ade was busy and then she gave me a lift down to the village of Kingsand. With keys to my flat I made myself comfortable, stocked up on some things to eat and drink from the shop, possibly getting ripped off and then went for an explore. This was likely to be the only time I’d get in daylight to look round.

Kingsand and Cawsand are twin villages in Cornwall, however until 1844 Kingsand was in Devon and Cawsand Cornwall. A house still marks the boundary, about 100 ft away from my flat.

Several small beaches link the houses together, all very characterful, smugglers hiding in the corner of your eye. Narrow roads with no parking make for a tranquil place, well until the tide comes in! It did however feel as though nobody actually lives there, it’s just for the tourists now.

My groundfloor bedroom window and the sea!

My flat was about as long as Oleanna but wider. Have to say that our bathroom layout is better designed despite being half the size. Everything was very comfortable, but the kitchen lacked a few basics that would have made cooking a touch more flavoursome.

Monday morning I was picked up from outside one of the pubs and was at work for 8.30. First thing was to lay out the back drop. Normally this would have been stretched on a frame, but as my design needed me to be able to draw lots of circles we laid it out on the floor. By 10am I’d primed the cloth and gained a couple of blisters in the process. Ade and Lou’s workshop has been having a new roof fitted, the central ridge still needed replacing and in parts it was open to the sky. So as the day progressed and the weather outside became damp, buckets were deployed around the place.

By the end of the day just about every bit of set that was ready had been primed and my backdrop was marked out. A pencil and string being my compass, I could have done with Frank’s trammel heads (ends of a compass that you can attach to a length of wood), but I managed in the end.

Wednesday the sun came out, only one thing for the canine assistants to do, sunbath

Tuesday and I started to lay blocks of colour onto the backdrop. Three shades of blue paint, a straight edge and a steady hand were needed. Occasionally a helping paw would appear, Bo and Shine two collies spend their days over seeing what happens in the workshop and hoping to be able to gain access to the bins from next door.

The workshop is next door to CornishPod, winner of the World Pasty Championship in 2016. The smells wafting through from them were too much for me, on Monday I’d put in an order for a couple of gluten free pasties. Fresh and warm I enjoyed one for my lunch, keeping the second one for Wednesday. The day was wet again, water flooded in through a hole that had been made for new electrics, a blocked drain was found and sorted by the landlord.

Wednesday thankfully a dry day but water had seeped under the wooden floor where my cloth was pinned out , it had crept up between the sheets and was creating quite a stain. In parts the cloth was wetter than when I’d first painted it. Action was taken and we relaid it on sheets of plastic, a fan heater deployed to drive off the worst of the moisture and I concentrated on painting the portals. The roofers were back in for the day, covering up sections of the ridge.

Each morning I woke to wonderful sunrises, some from Tellytubbies,

others more moody and grown up. Not a bad view to have from your bedroom window. The local sea swimmers would all walk down for their morning dip shortly after dawn. They’d bob away in the swell as the tide came in, Kingsand only seems to have high tide!

Thursday was the start of the next storm. We hoped the worst would miss us. The team grew by two, Ade’s nephew Frank and a scenic artist Debs. Debs had come to paint another set they have been building for The Drum in Plymouth. Nothing quite so time consuming as my backdrop and portals, just lots of washes and rust. Lu and Frank lent a hand where needed, basing things in for me and painting black for Debs. As the day progressed the winds got stronger and stronger, necessitating brushing more bits of decaying roof off my backdrop.

By the time I got back to my flat the tide was being aided by the wind. On other evenings towards high tide the waves had been making it onto the road outside my front door, but the direction of the wind having changed and the tides not being so high the waves just crashed against my bedroom wall instead. Their bumping giving the sofa a slight nudge. I hoped I’d be able to get some sleep, but thankfully things calmed down and I managed to get some shut eye.

Friday, Debs and I were left to it in the workshop, the others on apple duty back at the house. Ade and Lou have around 250 apple trees from which they press apple juice. This years crop has been plentiful, so whilst painting brushes were working hard at the workshop, Lou and Frank picked up the latest windfalls and Ade worked his way through the first of 40 crates of apples.

By the end of the day the other set was finished and Panto had a completed backdrop and two portals. Plenty more for me to do, but at least the main aim of the week was completed. I celebrated by having a halloumi and roasted pepper pasty for lunch, very tasty it was too.

Saturday my last day. A quick tidy up of the flat before I got a lift up to the workshop to see what I could achieve before heading home. I made a good start on two large flats, but I’d hoped to get them almost completed but the paint just wasn’t drying quickly enough. There was also the matter of packing paint and mixing colours so Lou can carry on basing things in,hopefully saving me hours of work.

The last job was to mix a huge vat of grey. I hate mixing grey, you think you’ve nearly reached the right shade, just a bit more black, a bit more, a bit more, maybe just a touch more. Damn! Now a bit more white!!

Frank and Lou, my cloth was raised and stretched out shortly after this

The other set was loaded onto a wagon. The pieces I’d finished were stacked away and the backdrop was hung to help it continue drying. The water stain is fading but I doubt it will go completely.

Back in my civvies it was time to head for the train. A lift down to the ferry which was just coming in, then an awaiting cab to the station. I had 4 minutes to get to the right platform, my luggage a touch lighter as my brushes will go to Chipping Norton with the set. Two trains and I arrived back in Bradford on Avon where Mick was there to meet me.

A hard weeks work in the company of the lovely Lou and Ade in such a wonderful setting. It’s just a shame I never really got to see the village at low tide in day light.

Meanwhile back on Oleanna.

Mick and Tilly have not been idle. On Sunday afternoon Mick moved the boat a little towards Bradford joining the local boats. On Monday he took the toilet to bits. We have a Separett Villa, the urine gets separated into a tank under the floor from which we can pump it out into another container for disposal. Gradually when rinsing through the system I have noticed it taking longer and longer for the water to drain to the tank, so I’d raised a chitty with the maintenance department.

It was quite sometime ago that Finesse showed us how everything had gone together but Mick managed quite easily to remove the toilet and then the floor above the tank. From the separator one pipe leads to another which then does two 90 degree turns to enter the underfloor tank. Here was where the blockage was gradually getting worse and when Mick poured vinegar into the top it stayed put, the pipe finally having blocked.

Our yellow water tank, the blocked bend on the left

With some drain unblocking cabley thing and more vinegar he eventually managed to shift the blockage. No need to cross our legs, we can go to the loo again. But maybe we need to add more vinegar to the bottle we spray the separator with, or even add it neat every now and again, or maybe we should just drink it so that the pipe doesn’t block again.

On Tuesday morning I made a request that Tom should move the outside. This outside was okay, but another would be better, so he moved it to a Mrs Tilly stamp award winning mooring, Dundas. Here I busied myself outside, returning to check on Tom only to find he’d lost his legs! I found them for him down in the big box at the back of Oleanna. It was quite soggy down there so Tom was trying to get rid of all the Aunty freeze that had leaked there a month or so ago. He was very careful to keep me away from this Aunty, apparently it can be deadly to cats.

Thursday they filled with water winded and headed back towards Avoncliff. All the sink U bends and shower traps were given a good clean and then on Friday they moved up to Bradford and managed to get a spot on the 48hr moorings below the lock. Here was good, plenty to keep me occupied, but then Tom decided to nudge the outside a touch. This touch to the outside meant there were far more woofers, in fact a constant stream of them. It really wasn’t worth stepping off the boat!

0 locks, 7.24 miles by boat, 5 different moorings, 1 calcified lump added to the yellow water tank, 10 litres anti-freeze, 2 winds, 5 trains, 2 taxis, 2 ferries, 13 lifts, 2 pretty villages, 0 beach to be seen, 6m plus high tide, £51!!! 2nd shop at the co-op, 1 flat almost on the beach, 1 thumping sea, 4 bottles wine, 1 bottle oil and some garlic required, 58 hours, 1 fat knee, 1 pastie powered painter, 1 back cloth, 2 portals complete, 1 well used straight edge, 2 woofer assistants, 1 slightly blue ball, all three crew back on board, 1 purring cat.

https://goo.gl/maps/g76UMQkKL8AR1G9FA

PS The last three posts all have photos now.

Narrowboat Oleanna

Travels of Narrowboat Oleanna

Category Archives: History

The Menace. 15th February

Mystery Tickets. 13th February

Keeping A Handle On The Dead. 13th February

Back To Backs. 6th February

Smith And Pepper. 4th February

Vienna Postcard 4. 13th to 15th January 2020

Vienna Postcard 3.

White’s. 2nd January 2020

Meanwhile Back On The Water.

Panto Postcard 1, 2019