Oozells Street Loop
The chap across the way had been running his engine until 11pm both nights we’d been moored opposite the giraffe. The first night we considered going over to see if everyone was alright on board, but it’s quite a long way round. So on the second evening we were relieved to hear the engine going, but not for the length of time it ran for! So this morning we decided to move.
NB Sola Gatia had been round on the Oozells Loop along with another boat, both had moved off. So we decided to move round the corner and see if it would be any quieter, less foot fall for certain.
There was plenty of room for us, so we chose to tie up in the middle, leaving room for boats infront and behind, but we’d be away from both bridges.
In the afternoon we headed into town. Should we walk down into the Jewellery Quarter to look at museums? Go to the Art Gallery? Or go to the top of the Library?
Back in October 2014 Mick had discovered the wonderful gardens and views from the library whilst I was working. He even managed to get a photo of NB Lillyanne (Lillian) moored at Cambrian Wharf. When I had free time we tried again, but high winds meant we could only stay indoors as the gardens were closed.
Today we went to the top, to the viewing gallery and the Shakespeare Library. Then we walked down the 90 steps to the garden. From here we could see for miles. If we hadn’t moved Oleanna this morning we’d have got a photo of her too from up here, but now she was tucked away behind the Sealife Centre.
Below was busy and the new trams came and went from the station.
It was a touch late in the afternoon by now to pay to go into a museum, so we opted for the Art Gallery and headed straight for the Pre-Raphelites and Burne Jones. Mick said we’d been before, but neither of us could remember when. It turns out that after we’d been to see Dippy the dinosaur we had a little look round, that was only 18 months ago!
The same paintings caught my eye. One study for Burne Jones painting Briar Rose is my favourite, I prefer it to the final painting.
But this time we also got to see a bit more of the display. Superduperspective by Patrick Hughes could not be ignored. It’s first view should be straight on, an image of paintings from the gallery in two corridors. But then as you move round you realise the whole thing is 3D and painted in such away to trick your eye. When fooled the furthest parts of the painting are actually the closest to you. Very clever use of shading, but a touch nauseating too.
0 locks, the same 0.14 miles mentioned yesterday, 150 yards from engines running, 1 library, 1 art gallery, 100 Euros, 1 adaptor, 1 bored asleep cat, 1 sock finished.