72 hours

Sunday, a day of rest all round. After spending nine hours leaning over painting the floor I needed to check I could still walk. After a bit of a lie in and breakfast I headed out for a walk to get some food. I walked up to Marks and Spencers Food Hall buying a pie and some stir fry vegetables, along with some other bits and bobs to keep me going.

This coming week I would more than likely be trying to paint things with the lights going on and off so I popped into Mountain Warehouse to buy myself a head torch. In past years I’ve ended up borrowing someone’s, but that wouldn’t be possible with covid around. I had quite a choice, narrowed it down to two, then one.

Much of the rest of the day was spent lying on my bed with my feet up. A couple of colours were added to my crochet blanket and two episodes of Great British Bake Off were caught up on. Once I’d watched Dr Who it was very much time to go to bed.

Monday. Ed the sound designer joined us, checking the system and making sure the actors on stage would be able to hear Barney the Musical Director as well as him being able to hear them. Will the Lighting Designer focused lights leaving me with just my head torch behind the backdrop.

Most of the scenery would pass by now, still finishing touches needed, but most of that could now happen in breaks when the lights were on. So I turned to smaller things, the bunch of parsley. The Designer arrived and had changed her mind how this should look! She doesn’t always get in the way, but today she insisted that I start again!

The other major thing that required painting was a portrait of Gothel the witch. I’d been hoping to catch Amy in costume at some stage before now, but had missed her on Saturday. Luckily she had taken some dressing room selfies of herself so I was able to use one of those. I’d been wanting to do a version of the Mona Lisa, it took a while to get her arms not looking stumpy.

Back in Scarborough the roofer returned. The old gutters were replaced and the mass of down pipes moved to nearer the ridge of the roof, hopefully meaning that the water will spread across the roof and not just be a torrent down the corner of the house. The bill for the work turned out to be more than the chap had said, we thought his quote had included scaffolding, but now that was an extra £300!

Tuesday. Sound check day, I wondered if Gavin could actually count past two. Barney was moved onto stage. Trying to give him enough space for all his kit, keyboard, headphones, peddles, squeeze box, microphones, cameras, monitors as well as be able to change the scenery in front of him all took time.

Gemma returned and set about adding the fairy lights to the portals, I’d hoped someone would take this on. Due to a lot of previous layers on the portals we wouldn’t be able to push the lights through from the back, this is by far the neatest way. Instead they were cable clipped onto the front, it was quite fortunate that I wanted to cover the surface with thousands of leaves. Once the lights were up Gemma started sticking the greenery up.

Out in the garden Jo was busy with the big cannons. She’d had a brain wave overnight and done some research, I could assist with my boaters knowledge of amp hours and batteries. I got on with the final pieces of scenery, the cucumber sandwich slidders, all the time gradually adding more paint to Gothels portrait.

Wednesday. Mick caught trains down to Thorne, not as easy to get to as Goole was. On Saturday he’d not been able to meet up with any of the marina staff and by the time he arrived it was getting too late to winterise Oleanna. So he introduced himself to Sarah, received the marina rules and handed over some money. The mooring here is a touch more expensive than it was last winter in Goole, but it does include an amount of electricity in the price.

Mick emptied the damp traps, refilled them with new crystals and positioned them around the boat. The water was turned off, the system drained and the shower head laid in the shower. Cupboards were opened up to help with air circulation and the Alde boiler was set to come on when the temperature drops to 3C, a few degrees lower than last winter.

Time for the technical rehearsals to start in Chippy. The sweet chest had been tracked down, it had been sold off at the last Panto sale by mistake! The new owner will have it replaced with a chest that isn’t so important to panto.

Last night lighting states and sound levels had been programmed into the boards for the first part of the show, today we’d add the actors, costumes, scenery and props. Teching can be a slow process especially when there is SO much going on. Visual gags and luminous lettuce kept us all amused.

Thursday, more technical rehearsals. These days I spend watching, taking notes, helping solve any problems. But I’d also decided that baby Rapunzel needed to have a crocheted blanket! Yes we could have gone out and bought one, but it would have been hard to find a good one to match the show. Instead Jo supplied me with some green yarn with gold flecks and I borrowed a lamp so that I could see to crochet in row G whilst I wasn’t needed. In breaks more leaves were added to the portals and Gavin’s feet! He seemed to have a homing instinct to them whilst the latex glue was drying.

Friday. The Cotswold Thunderbolt was erected on stage and we had chance to add the rigging. A chap called Tim joined us to help Jo work on props whilst we continued with the technical. We worked our way through Act 2 until the actors ran out of hours. Then it was time to dry tech the ending of the show.

Wide ribbons had been made up by Valerie a local volunteer, Jo had fibre glassed the giant strawberry which was flown out. With big clamps to temporarily hold ribbons to the balcony fronts we tried out the ribbons and raised the strawberry. This all worked. We then dry teched the end sequence (without actors), it all slotted together as planned! High fives all round.

Saturday. Today we should have been doing the first of three dress rehearsals. Each team of Pippins get to have a dress, but we still hadn’t teched the end of the show with everyone, the five minutes was likely to take about two hours! So in the morning we did a dress rehearsal of Act 1. Imogen my work experience joined us and did her best to cut leaves to decorate the pram whilst sitting in the dark. We then positioned ourselves in the balcony to release the ribbons several times as we finished the technical.

Then followed a busy afternoon, trying to tick jobs off the list, painty jobs that could dry before actors returned in costume. I’d set myself an alarm and at 5:30pm it went off, time to wash brushes, get changed and head to the correct bus stop and leave Chippy for a night away.

This time I was heading to Hackney to see the London Leckenbys. Google suggested a route, S3 bus to Oxford, grab something to eat at the station, a train into Paddington, Bakerloo line then Central line followed by the 388 bus to Hackney Wick. A busy journey but not as alarming as the one to Doncaster had been two weeks ago. Unfortunately I got off the bus a little bit early so arrived about five minutes after I should have, but still before 9:30. Cheese and wine on my arrival with a guided tour of their new improved house, before sinking into bed in what used to be Josh’s room.

0 miles, 0 locks, 5 trains, 2 buses, 2 tubes, 7 tech sessions, 0.5 dress, 6 lateral flow tests, 1 head torch bought, 1 head torch misplaced after 3 hours! 1 boat winterised, 1 portrait, 1 pram, 1 MD squeezed in, 1 backing flat squeezes out, 1 asm, 1 blanket to make, 1 more long week to go.