Lockdown Mooring 3, to the shade and back again
Tilly was given an hour this morning before we wanted to move. A few calls after we’d finished breakfast to encourage her home along with starting to wash the fertan off the gunnel worked a treat. I’d only just started and she pounced out of the friendly cover back onto the towpath where she was promptly picked up and passed inside.
We made our way to the shady spot again where the washing continued. The gunnels were already quite hot from the morning sun so dried off very quickly as I put my dungarees on to do the priming. I started at the bow working towards the stern which had absorbed more heat before we’d moved, it had cooled down by the time I reached it. Job done for the day.
Mick had walked up to the mill Shop for some bread, only plastic white frozen variety available, whilst I worked. The water point was busy, two boats filling and more waiting their turn. Today C&RT were aiming to have the network open again, so Continuous Cruisers can start to move around again. This has meant a lot more boats on the move and few of them coming past twice.
NB Islonian once topped up with water came past winded and found themselves a space on the 48 hr mooring, another boat had pulled in behind where we’d been moored, but there was still space for us. After lunch we reversed back to where we’d started the day, tyre fenders out to keep the newly applied primer away from the edge.
By mid afternoon more boats had arrived the visitor moorings now full and the straight stretch behind us only showing a few gaps. The boating world is on the move again.
I had intended to do some jobs inside this afternoon, but instead I decided to do a bit of research for a possible project with Dark Horse early next year. #unit21 is set in a world where as you reach the age of 21 you are assessed on your adulting skills. A world of uniformity.
Amy, writer and director had said she’d been influenced by German expressionism and films such as The Cabinet Of Dr Caligari, Metropolis and George Orwells 1984. I’ve seen the first two a very long time ago when at college and surprisingly never 1984.
A free version of Metropolis was on YouTube, so some of the afternoon was spent watching this iconic 1927 silent film. Not a short film by any means, this version had every scene reinstated. Directed by Fritz Lang it portrays a beautiful cultured utopian world above a bleak underworld where the populace are mistreated. A privileged youth, Freder discovers the underworld and falls in love, instantly clutching at his heart, with Maria a rebellious teacher. His father is none too impressed and orders that a machine man (robot) is made in the image of Maria.
The world is so deco, planes turn corners without having to bank and the work force battle hourly to stop the machines below ground from exploding all arriving at work in a trans like state, leaving exhausted after a ten hour shift. Makeup and the acting are as dramatic as you will ever see. The remainder of the film awaits for in between coats of paint or the possible rain forecast from Wednesday.
0 locks, 500 yards, 1 side washed, 1 side primed, 2 many boats, 1 full stretch of moorings, 1 water world on the move again, 445 deaths missed, 10 hours, 1 popped cat.